By now, we’re sure you know what you’re getting when you book to see Wicked for £20, Mamma Mia! for £30, or Les Misérables for £40. But what about some of the lesser known shows in the New Year Sale?

For the adventurous among you, we’re here to highlight a few hidden gems in case that are taking part in the New Year Sale, so you can try something new for 2026.

Ballet Shoes

What’s it about? Three adopted sisters get taken into the house of an Edwardian explorer and paleontologist. Under the guidance of his niece and childhood nanny, the three girls grow and fight to pursue their differing passions in a world not built for women with ambition.

Why should I see it? The National Theatre’s adaptation of this 1930s novel was loved by children and adults alike when it premiered in November 2024 – so much so they brought it back a year later.

The three girls are full of fire and charisma; you can’t help be charmed by their never-say-die attitude. The set is like a madcap box of wonders that’s a delight to look at and the show will leave you feeling warm and fuzzy.

What’s the offer? Tickets for £20, £30, £40, £50, £60 for Tue – Thu performances in Jan and Mon – Thu performances in Feb until 20 Feb.

Evening All Afternoon

What’s it about? Jennifer is about to become Delilah’s stepmother. She wants to connect but they couldn’t be further apart.

Why should I see it? The Donmar Warehouse is a great venue – with only three rows on each side of the stage, you’re always close to the atmosphere which is perfect for these kind of intimate two-handers. Anna Ziegler’s last play, Photograph 51, won Evening Standard and WhatsOnStage Awards, with an Olivier Award nomination for Nciole Kidman in the lead role. This could be another award winner in the making.

What’s the offer? Tickets for £40 or £50 on all performances (19 Feb – 11 Apr).

Gerry & Sewell

What’s it about? Two Geordie best friends Gerry & Sewell haven’t got a lot going from them – with no jobs, Gerry’s family falling apart and Sewell’s dad in ill-health – so they set their sights on their ultimate dream: A season ticket to Newcastle United.

Why should I see it? It’s an underdog story that celebrates the unexpected hero in all of us, as well as the importance of friendship and shared passions. Like the story, the play itself is an underdog, having started at Laurel’s – a small social club in the North East – and earned its way up to a two-week run in the West End.

What’s the offer? Top price tickets for £40, £50 or £60 all performances – must end 24 January.

High Noon

What’s it about? In the the days of the Wild West, small town marshall Will Kane prepares to leave town after marrying Amy Fowler. But word arrives that Frank Miller, a vicious outlaw, has been released from prison and will arrive by the noon train. Torn between the honour of his new wife and the duty of his old job, Will must make a choice by noon.

Why should I see it? The 1952 Gary Cooper / Grace Kelly Western film, on which the play is based, is in the conversation for greatest movie ever made. While this play stays true to the source material, the production has changed its inspiration from McCarthyism to current world events to remain as timely as ever. Plus it unites two great acting talents in Tony Award winner Billy Crudup (The Morning Show) and Olivier Award winner Denise Gough (People, Places And Things and Andor)

What’s the offer? Tickets for £30, £40, or £50 for Mon – Fri performances for weeks beginning 26 Jan and 2 & 9 Feb.

Mrs. President

What’s it about? Already having todeal with the grief of Abraham Lincoln’s assassination, his widow, Mary Lincoln has to contend with social attacks from an envious elite. She engages the help of the world’s first celebrity photographer, Mathew Brady, who helped her husband win the presidency. But their partnership soon unravels in a battle for creative control.

Why should I see it? The play is written by playwright and historian (and artist) John Ransom Phillips so promises to be an accurate and thought-provoking account of power, female agency and representation. Of course, if you’re less concerned with historical accuracy and more concerned with a barrel of laughs, Mary Lincoln is also the lead character in outrageous camp comedy Oh, Mary! at the Trafalgar Theatre – also taking part in the New Year Sale.

What’s the offer? Tickets for £10, £20, £30 or £40 for all performances (23 Jan – 8 Mar).

The Spy Who Came In From The Cold

What’s it about? Set in the murky world of the Cold War, British intelligence officer Alec Leamas is ready to retire and ‘come in from the cold’. But following the killing of his most reliable source, Leamas is tempted into one dangerous, deceptive and personal final mission.

Why should I see it? This is the first stage adaptation of a novel by John le Carré, the master of the modern spy thriller. Performed in Sohoplace’s intimate in-the-round space with period costume, this a tense, sophisticated and provocative look at the political era that shaped the modern world. Must end 21 February.

What’s the offer? Tickets for £60 (£20 off) for performances on 21, 26, 27 & 28 Jan and 2 & 3 Feb. Last few tickets remaining.

Summerfolk

What’s it about? During the hot and beautiful Russian summer of 1905, Russia’s elite holiday in the countryside to enjoy the best things in life. But as the party continues, how long can they ignore the storm on the horizon?

Why should I see it? Maxim Gorky was one of Russia’s most successful authors of the age, with five Nobel Prize nominations, although he was also imprisoned for his work as he dared to criticise the status quo. This exciting new version by siblings Nina and Moses Raine (descended from Dr Zhivago author Boris Pasternak) promises to be a razor-sharp portrait of class, privilege and denial.

What’s the offer? Tickets for £20, £30, £40, £50 for most performances from 12 Mar – 29 Apr.

This is particularly true of shows which haven’t opened yet. Given these shows are new and may be unfamiliar to you, we thought we’d take a closer look at shows in the New Year Sale which are opening in the coming months…

January

Gerry & Sewell opens on 13 January. This heart-warming comedy about friendships and underdogs follows two Newcastle United fans desperate to get a season ticket. After a sell-out run in the North East, the play transfers to the West End for only two weeks.

Chichester Festival Theatre has a strong record of West End transfers – think Half A Sixpence, Quiz, revivals of Gypsy and Caroline, Or Change – and it shows no signs of slowing down.

The Unlikely Pilgrimage Of Harold Fry is a new musical based on Rachel Joyce’s profound and funny novel, with music by indie musician Passenger. It had rave reviews in Chichester last summer and transfers with original cast members Mark Addy and Olivier Award winner Jenna Russell, with previews from 29 January and New Year Sale prices in February, too.

Theatre company Frantic Assembly celebrate their 30^th anniversary with a new play, Lost Atoms, written by Anna Jordan who wrote episodes of Succession and One Day. The play charts the life-changing relationship of Jess and Robbie and focusses on how differing memories can change our stories. It runs at the Lyric Hammersmith from 30 January – 28 February, taking part in the New Year Sale for February performances.

February

For one night only, X Factor contestant turned West End star Lucie Jones is Live At The London Palladium. Blending her live gig roots with the drama of her stage career, including regular performances in Les Miserables and the leading role in Waitress, this will be a unique concert that showcases her incredible vocal talent. Expect surprise appearances and unique collaborations. 16 February only.

Evening All Afternoon is a brand new play by American playwright Anna Ziegler, who had a hit on the West End with Photograph 51, starring Nicole Kidman. This play explores the relationship between a stepmother and stepdaughter, confronting the human dilemma about facing loss and opening up to new connections. The play runs from 19 February – 11 April at the Donmar Warehouse, an intimate and compelling space with a storied history.

March

Sibling duo Nina and Moses Raine (Consent and Donkey Heart, respectively) team up for a new translation of Summer Folk, by Russian dramatist Maxim Gorky. 1905 was a hot, beautiful summer in Russia, but while the elite wine and dine, a storm is on the horizon. The story is fitting for the Raines, whose great uncle was Boris Pasternak, author of Doctor Zhivago. Summer Folk runs from 12 March – 29 April at the National Theatre.

While you can find opera and ballet at the London Coliseum for much of the year, London’s largest theatre stages a big musical each summer. This March will see the first West End revival of Kinky Boots.

The show is based on the British film and true story of a Northampton shoe factory that hits hard times, then takes a chance on becoming a specialist in shoewear for drag artists. With music and lyrics by pop star Cyndi Lauper and a book by Harvey Fierstein (La Cage Aux Folles), this production will be led by Strictly Come Dancing’s Johannes Radebe in the role of Lola.  It runs from 17 March – 11 July with New Year Sale offers on most April, May and June performances.

This time we chatted to Joel Montague who is starring as Buddy in Elf The Musical at the Aldwych Theatre.

1. My route into theatre was…

I started dancing at my mum’s dancing school in Crewe. I then was part of my school choir and did many school shows and amateur dramatics. I then auditioned for GSA and never looked back.

2. My West End idol is…

I have many, most of them are my stupidly talented friends. I adore actors like Jamie Parker, his career is inscribed and diverse. Broadway idol wise, Gavin Creel, who I had the pleasure of knowing and working with and my ultimate hero Brian d’Arcy James.

3. My colleagues would describe me as…

Fun, naughty and I’d like to think consistent.

4. My favourite show (that isn’t one I star in/work on) is…

I LOVE The Wild Party by Andrew Lippa.

5. The career moment I’m most proud of is…

There’s a few. Currently, working with my wife. Also playing opposite Sheridan Smith in Funny Girl.

6. The hardest part about my job/role is…

Finding my voice every morning to do a show in the evening.

7. If I wasn’t an actor, I would be…

A Disney Imagineer.

8. Something people don’t know about me is…

I trained as a dancer. I can also tap quite well.

9. The best piece of advice I’ve ever been given is…

It’s not necessarily about being the best. It’s about being unique.

10. The one thing I wish I could tell my younger self is…

Don’t worry. Things will work themselves out but just know the highs are high and the lows are low. However, you’ll come of it stronger and more educated.

If smiling’s your favourite, don’t miss this seasonal smash-hit at the Aldwych Theatre.

Elesha Paul Moses comes to the role of Tina off the back of a successful music career. Having appeared on The Voice she was mentored by Will.I.Am and Tom Jones as well as Matthew Knowles. She’s written and performed with a whole host of recognisable names including Ku De Ta, Lionel Richie, Nicky Graham and Andy Abraham on his Eurovision performance. She was also the lead of the touring shows Whitney: Queen Of The Night and Tina: What’s Love Got To Do With It, so she’s no stranger to belting those notes.

Kristina Love joins the cast having played Tina in the very first non-English version of the musical in Hamburg. Having grown up in Houston Texas, Kristina moved to Germany and has starred in plenty of other musicals on the continent including Dirty Dancing, Sister Act, Aladdin and The Hunchback Of Notre Dame. If there’s anything more impressive than a musical theatre star it’s one who can perform in more than one language!

Tony from the OLT team had never seen Tina before, so we asked him what he thought of it! He said:

“I’m blown away by the voices, the dancing is incredible and its such a fascinating story. I’d recommend it to anyone who’s looking for a really good night out – it gets a bit darker and more interesting that a regular night out maybe! – but by the end of it you’ll have had such a good time.”

Book your tickets now to see some of your favourite hits like Proud Mary and We Don’t Need Another Hero, and learn a little more about the icon that is Tina Turner.

In addition, my colleague Richard and I took a trip to the beautiful Theatre Royal in Newcastle yesterday to check out the next bio-musical gearing up for its own West End premiere. The Drifters Girl tells the little-known story behind the much-loved American vocal group (with its revolving door of members) and their pioneering female manager, Faye Treadwell. The jukebox tuner, which boasts such standards as “Save the Last Dance For Me,” “Under the Boardwalk,” and “Saturday Night at the Movies,” is set to begin performances at the Garrick Theatre on 4 November.

Ever since the phenomenal success of Jersey Boys, bringing the story of Frankie Valli and the Four Seasons to life on stage, debuting on Broadway back in 2005, the bio-musical has gained more and more momentum in the realm of commercial theatre. The popularity and instant recognition of established pop hits twinned with the curiosity to peak behind-the-scenes of the making of the world’s most famous stars has, on the whole, proved a winning formula for producers. Arguably, it’s also a formula that entices the general, non-theatregoing public to a musical for the very first time.

So, in light of this ever-growing trend, we thought we’d take a closer look at the current bio-musicals on offer in London’s West End, as well as the plethora of projects in development for both sides of the Atlantic…

Get Up, Stand Up! The Bob Marley Musical

Three-time Olivier Award nominee Arinzé Kene takes on the titular role and gives a performance of a lifetime in this brand new musical which follows the trials and tribulations of the reggae legend and Jamaica’s favourite son, Bob Marley. Opening directly in the West End is always considered a bold move, but one that has certainly paid off, judging from the positive audience reactions we’ve experienced so far. Indeed, on the night we attended, the entire audience was up dancing long before the curtain call. The show itself is a unique, cultural experience that presents Bob Marley’s iconic back catalogue in both the classic, musical theatre-style of narrative progression alongside concert setting and recording session depictions. It also explores the more complicated elements of Marley’s polygamous love life and doesn’t shy away from themes of violence and corruption, which fuelled Jamaican politics at the time, alongside an assassination attempt on the musician himself.

Why not get up, stand up and head down to the Lyric Theatre to experience Arinzé’s tour-de-force performance for yourself?

The Drifters Girl

It’s always a joy to see Beverley Knight, the Queen of British Soul, treading the boards and this time she is portraying a non-fictional character by the name of Faye Treadwell. A true, but sadly underappreciated pioneer, she defiantly made waves in a male-dominated music industry as the manager of the iconic African-American vocal group known as The Drifters. She defended herself both in the workplace and even in a court of law and helped bring the group’s beloved songs (no matter who was a part of said group at that time) to their masses of fans on both sides of the pond. Under the direction of Jonathan Church, Beverley not only stars in the production but was fully involved in the creative process alongside her uber-talented cast mates, Tosh Wanogho-Maud, Tarinn Callender and Olivier Award winners Adam J. Bernard and Matt Henry.

Will you be Kissin’ in the Back Row of the Garrick Theatre when performances begin on 4 November?

Jersey Boys

The newly renovated and refurbished Trafalgar Theatre reopened its doors this past summer with the West End return of the bio-musical sensation that is Jersey Boys. Winning ‘Best New Musical’ at the Olivier Awards in 2009, the production proved not only its own merit but also that the genre of jukebox musicals can garner just as much critical acclaim as their more traditional counterparts. Telling the story of Frankie Valli and the Four Seasons through humble beginnings in New Jersey to the dizzying heights of the 1990 Rock and Roll Hall of Fame, the show delivers such classics as “December, 1963 (Oh, What a Night),” “Walk Like a Man,” and “Can’t Take My Eyes Off You,” just to name a few.

If you still are yet to see this musical sensation, we are Beggin’ you to right that wrong immediately!

Tina: The Tina Turner Musical

Tina, the 2018 bio-musical that tells the story of the Queen of Rock ‘n’ Roll, is still going strong at the Aldwych Theatre, headlined by the incredible Aisha Jawando in the titular role with outstanding support from Jammy Kasongo as Ike Turner. Audiences follow a young Anna Mae Bullock from the cotton fields of Nutbush, Tennessee, via her involvement and creation of the Tina Turner persona in the Ike & Tina Turner Revue and all its resulting hardships of domestic violence, to finally breaking out as a solo artist, enjoying global domination despite the ageism and racism she faced within the music industry. From “River Deep Mountain High” and “Proud Mary” to “What’s Love Got to Do with It?” and “We Don’t Need Another Hero,” the show boasts an embarrassment of musical riches that merge naturally with the narrative and create a must-see event for Tina fans from across the globe.

Is Tina simply “The Best” bio-musical in town? Why not find out for yourself…

On the Horizon…

The popular trend of bio-musicals isn’t showing any signs of slowing down from what we can see. Alongside the four West End productions we have just highlighted, Broadway is set to welcome the world premiere of MJ: The Musical from 6 December 2021, which shines a spotlight once again on the King of Pop, Michael Jackson. This will join the popular 2019 Broadway musical Ain’t Too Proud: The Life and Times of The Temptations, who were, of course, a staple of the Motown era. And speaking of Motown, The Four Tops are also getting the bio-musical treatment with a production set to debut in Detroit (where else?) before reportedly heading to New York for the 2022-23 Broadway season. The group famously enjoyed a kind of sibling rivalry with their Motown brethren, The Temptations, and perhaps therefore weren’t to be outdone by the success of Ain’t Too Proud.

But the buck doesn’t stop there. It was recently announced that West End heavyweight-producer Sonia Friedman has joined the team bringing a bio-musical about Whitney Houston to the stage, and Sinatra: The Musical was announced to be in development way back in 2018. In addition, Leicester seems to be the place to be, when it comes to bio-musicals, as the Curve Theatre is set to premiere The Osmonds: A New Musical from 3 February 2022, a new production of Beautiful: The Carole King Musical just three weeks later, on 28 February, and the UK premiere of The Cher Show on 15 April, all ahead of extensive UK and Ireland tours.

So, the future is bright and brimming with classics from the pop charts thanks to theatres across the globe getting set to bring the music industry’s most illustrious stars to life for years and years to come…

Based on Baz Luhrmann’s revolutionary 2001 film, Moulin Rouge! The Musical took home the most coveted Tony last night by beating both Tina: The Tina Turner Musical and Jagged Little Pill in the category of “Best Musical.” In fact, the mammoth production walked away with a staggering total of 10 Tony Awards, including “Best Direction of a Musical” for Alex Timbers, “Best Choreography” for Sonya Tayeh and “Best Orchestrations” for Katie Kresek, Charlie Rosen, Matt Stine and Justin Levine.

Perhaps the most emotional win of the night came as Danny Burstein (who plays Harold Zidler on Broadway) finally won his first, long-overdue Tony Award (for “Best Featured Actor in a Musical”) following six previous nominations. His fellow cast member Aaron Tveit, who starred in the Menier Chocolate Factory’s 2014 production of Assassins, unsurprisingly took home the Tony for “Best Leading Actor in a Musical” (in an uncontested category) for his performance as Christian.

From 12 November, London audiences will also be able to embrace the Bohemian lifestyle as the doors to the much-anticipated West End transfer of Moulin Rouge! The Musical open at the Piccadilly Theatre.

Congratulations also go to the outstanding Adrienne Warren, who originated the titular role in Tina: The Tina Turner Musical here in the West End. Her astonishing, tour-de-force performance in the Broadway transfer earned her a first Tony Award last night in the category of “Best Leading Actress in a Musical.” Relive her 2019 Olivier Awards performance here:

The original West End production continues to entertain London audiences as “Simply The Best” bio-musical in town at the Aldwych Theatre.

Other winners of note include Matthew Lopez’s heart-wrenching, two-part drama The Inheritance, which secured the top honour of “Best Play” (beating stiff competition from the likes of Jeremy O. Harris’ provocative Slave Play). The production had previously triumphed in the category of “Best New Play” at the 2019 Olivier Awards, following its runs at the Young Vic and Noel Coward Theatre, and our very own Stephen Daldry also did the double, adding a Tony Award for “Best Direction of a Play” last night to his 2019 “Best Director” Olivier. In addition, Andrew Burnap, who originated the role of Toby Darling in London, also took home a Tony in the category of “Best Leading Actor in a Play.”

We would also love to give a shout-out to a slew of British winners, who also triumphed in their respective categories last night. Congratulations to the Old Vic as the Broadway premiere of its production of A Christmas Carol secured an impressive total of five Tony Awards. Christopher Nightingale won “Best Score” for his musical efforts, Hugh Vanstone and Simon Baker took the prizes for “Best Lighting Design of a Play” and “Best Sound Design of a Play,” respectively, whilst Rob Howell scored a further two wins for A Christmas Carol single-handedly: “Best Scenic Design of a Play” and “Best Costume Design of a Play.” Two legendary, British-born designers also triumphed last night for their contributions to Moulin Rouge! The Musical with Derek McLane winning “Best Scenic Design of a Musical” and Catherine Zuber taking “Best Costume Design of a Musical,” marking her tenth Tony win in remarkable fashion.

All in all, the 74^th Annual Tony Awards welcomed Broadway #BackOnStage in style last night and we simply cannot wait for the big winner of the night to raise the curtain at the Piccadilly Theatre in November here in the West End.

Following Tina Turner’s life from humble beginnings in Nutbush to global fame, this jukebox musical is full of all your favourite Tina Turner songs, complete with the huge lights and incredible costumes you know her for.

Natalie and Ruth went to their first night back and recorded a vlog about their experiences not just at Tina’s first night back, but their first time back at a full-scale theatrical performance.

Check out our vlog below too see how it went. Don’t miss Aisha Jawando’s emotional speech at the curtain call about what it’s like to be back.

So grab your tickets for this rock ‘n’ rolling musical today and see for yourself what all the fuss is about!

Today, we’re talking to Aisha Jawando and Jammy Kasongo who will star in Tina – The Tina Turner Musical playing at the Aldwych Theatre from 5 August – 26 June 2022.

Aisha will be playing the lead role of the global icon, Tina Turner and has previously starred in the original London cast of Motown The Musical at the Shaftesbury Theatre, The Book of Mormon at the Prince of Wales Theatre, Fela! at the National Theatre, Disney’s The Lion King at the Lyceum Theatre and more!

Jammy will be playing Tina’s partner, Ike Turner, and you may know him from his roles in Grand Hotel at the Southwark Playhouse, Beautiful – The Carole King Musical at the Aldwych Theatre and Hair at The Vaults.

This powerful, iconic Olivier Award-nominated show reveals the untold story of a woman who dared to defy the bounds of her age, gender and race.

Grab a cuppa and settle down as we find out more about Aisha and Jammy!

1. My route into theatre was…

Aisha:  I jumped on a bus from South London (haha!)

Jammy: I was put in a drama class in high school by accident.

2. My West End idol is…

Aisha: I don’t actually have an idol in the West End. It’s just a personal thing of recognizing people’s work at that moment in time and giving them their flowers.

Jammy: Adrian Lester

3. My favourite show present or past (that isn’t one I star in/work on) is…

Aisha: Oh gosh! That’s kinda hard… I do really love Once On This Island.

Jammy: Company

4. The career moment I’m most proud of is…

Aisha: This one. I just keep getting shocked with every job I am gifted with.

Jammy: Getting my first West End Show!

5. What I love the most about my role is…

Aisha: Playing a black woman. A strong yet soft, black woman!

Jammy: The passion of Ike.

6. My favourite song from the show is…

Aisha: I don’t know if I can answer that question! I have so many hahahaha!!

Jammy: Higher. The energy is big, the costumes are glamorous, and the song and performance blend beautifully in this euphonic, wonderfully colourful number.

7. The most challenging part about the role I play is…

Aisha: Managing my energy and always giving out the right amount.

Jammy: The violence.

8. What does Tina Turner mean to you?

Aisha: That I have been given a light that is meant to shine and don’t let ANYBODY try to snuff that light out.

Jammy: Strength.

9. A message that people can take from the show and apply to real life is…

Aisha: You were made for such a time as this!

Jammy: Fight for your dreams.

10. If I had to sum up the show in one line, it would be…

Aisha: No weapon fashioned or formed against me shall prosper. Can I get an amen!?

Jammy: Dope!

If you’re looking for a show that will inspire you, something that will get you moving and grooving or an iconic musical that will leave you feeling revived, Tina – The Tina Turner Musical will be a pleaser! Grab your tickets to see this must-see show below.

Tina – The Tina Turner Musical which is based on the life of legendary artist Tina Turner and produced in association with Tina Turner herself, has tickets available at all prices and is currently booking to 26 June 2022, including new Sunday performances.  The critically acclaimed production received its world premiere in April 2018 in London and subsequently broke all Box Office records at the Aldwych Theatre.  Further casting will be announced shortly.

Tina Turner said: “Music has had the power to pull me out of my darkest moments and rejoice during my happiest. To announce the re-opening of our West End show, where my musical had its premiere, means so much to me. I would like to take this opportunity to thank our Tina family and our fans from around the world for their continued love and support during these unprecedented times. Let my story be a celebration, a reminder of our resilience and our ability to overcome hardship together.”

Tali Pelman, Producer said: “I am delighted to announce the reopening of Tina at the Aldwych Theatre, a moment we and our Tina company have long waited for.  Tina is the essential story of our time, and its messages of perseverance and empowerment are themes we share not only onstage, but in our commitment to our company, audiences, and the theatre industry of the UK.”

Having originally played Tina’s sister Alline Bullock, Aisha Jawando who has been with the company since its world premiere in Spring 2018, will continue in the title role.  Jammy Kasongo, who also was a member of original company and then played the roles of Richard and Raymond, steps up to play the role of Ike.  Joining them and making her West End debut is Chanel Haynes as the alternate Tina who will perform the iconic role of Tina at certain performances.

This new musical reveals a comeback story like no other, of a woman who dared to defy the bounds of racism, sexism and ageism to become the global Queen of Rock n’ Roll. Tina – The Tina Turner Musical is a celebration of resilience and an inspiration of triumph over adversity.

Aisha Jawando’s London theatre credits include the title role in Cinderella at the Hackney Empire, The Life at Southwark Playhouse, Martha Reeves in the original London cast of Motown The Musical at the Shaftesbury Theatre, Beautiful – The Carole King Musical at the Aldwych Theatre, The Book of Mormon at the Prince of Wales Theatre, Fela at the National Theatre, The Lion King at the Lyceum Theatre and Soul Sister at the Savoy Theatre.

Jammy Kasongo’s other theatre credits include Grand Hotel at the Southwark Playhouse, Beautiful – The Carole King Musical at the Aldwych Theatre and Hair at The Vaults.

Chanel Haynes, who will make her London stage debut as the alternate Tina, was discovered by Quincy Jones while she was still a teenager and went on to become an original member and lead singer of the New Orleans-based group Trin-i-tee 5:7 selling over 2.5million albums worldwide and earning two Grammy nominations.  At the 2008 Grammy Awards, she was part of the line-up with her band Trin-i-tee 5:7, which also included performances from Tina Turner, Beyoncé and Aretha Franklin.  She made her musical theatre debut in 2014 at the Zach Theatre in Austin, Texas, where, in 2018, she won the B. Iden Payne Award for Best Leading Actress in a Musical for her role as Billie Holiday in Lady Day at Emerson’s Bar and Grill.

Directed by Phyllida Lloyd and written by Katori Hall with Frank Ketelaar and Kees Prins, Tina – The Tina Turner Musical is choreographed by Anthony van Laast, with set and costume designs by Mark Thompson, musical supervision by Nicholas Skilbeck, lighting by Bruno Poet, sound by Nevin Steinberg, projection design by Jeff Sugg and orchestrations by Ethan Popp.

Earlier this month Tina Turner was inducted into Rock & Roll Hall of Fame.  Previously in 1991 she was inducted as a duo alongside Ike Turner.

The feature documentary TINA is now available to stream on Sky and Now TV. A revealing and intimate look at the life and career of musical icon Tina Turner, TINA charts her improbable rise to early fame, her personal and professional struggles throughout her life and her even more improbable resurgence as a global phenomenon in the 1980s. The feature documentary is from Academy Award-winning directors Dan Lindsay, T.J. Martin and Lightbox, the production company founded by Academy Award-winning producer Simon Chinn and Emmy-winning producer Jonathan Chinn, together with Emmy-nominated producer Diane Becker.

Tina – The Tina Turner Musical is fully committed to the safety of its audience, performers, staff and everyone who works at or visits the theatre.  To help welcome audiences back safely, the show will be taking care to meet Government and industry COVID-19 guidelines and are partnered with Society of London Theatre’s ‘See It Safely’ campaign. Click here to find out more.

Customers who had already booked to see the show between 3 June – 27 July 2021 will be contacted directly by the Box Office as a matter of priority to exchange their existing booking to the earliest date available.

To get the lowdown on all things Tina – The Tina Turner Musical, check out our Theatre Chat Live episode with Aisha Jawando here and be sure to grab your tickets.

Whether you’re a fan of the iconic musical The Phantom Of The Opera or Les Misérables, or want to learn about some of the new musicals in London including Six or Everybody’s Talking About Jamie, the celebration is packed with showstoppers from the very best of West End musical theatre alongside the BBC Orchestra Concert. There is also a number of performances from special guests Elaine Paige, Michael Ball, Amanda Holden, Nicole Scherzinger, Josh Groban and Lea Solanga – what a treat!

Feeling SO overwhelmed by all your beautiful messages. My phones popping off. Thanks so much and big love to you all! 💙💙💙#MusicalsTheGreatestShow 🎭 https://t.co/FY5yoPx0QY pic.twitter.com/771dH3hBYo

— Layton Williams (@LaytonWilliams) February 7, 2021

And because we are still buzzing from the incredible performances and all the razzle-dazzle, we’re recapping all the wonderful musicals in London that were featured so that you can be reminded of all the exciting theatre you can enjoy once venues can reopen. It’ll be just the tonic we need!

Six

If you’ve not already heard, Six is a fresh British musical that everyone (we mean literally, everyone) is losing their heads over.

Think: Beyonce and Ariana Grande meets Tudor Queens. Yes, that’s right – this pop-tastic musical is all about the six wives of Henry VIII, who in true 21st century girl power-mode, take to the mics to tell their tales. In this pop-fuelled concert, the Pop Princesses remix five hundred years of historical heartbreak into an 80-minute celebration of true female empowerment! With an incredibly strong and powerful message, this homegrown musical is not one to be missed.

If you’d like to know more about the musical, click the video above for an exclusive performance alongside a Q&A with some of the cast members. And if you’re still wondering whether to grab your tickets, check out our roundup of Six ways Six stunned us here.

Everybody’s Talking About Jamie

Layton Williams’ performance of Over The Wall gave us major goosebumps last night and was a big reminder of why show this is one of the most wonderful musicals in London. If you need a dose of inspiration or something that’s going to get you up on your feet and clicking your fingers with sass, Everybody’s Talking About Jamie at the Apollo Theatre is a winner! Inspired by a documentary about a real boy named Jamie Campbell, the musical follows the tale of 16-year-old with a secret to tell – and dreams to make true.

We don’t want to give away too much, but when Jamie New found himself the target of bullies, he decides to tell his truth and share his story with the world. In an act of bravery, adversary and fabulousness, and with the help of his Mum and friends, he steps out of the darkness and owns the spotlight, becoming the school sensation and making his dreams come true.

Want to learn more about the true story that inspired the musical? Click here to learn all about the real-life Jamie New, or get your red heels ready and hit play to the trailer above! We’ve even got an Instagram takeover from the cast of the musical so if you want to have a nosey as to what goes on behind-the-scenes, be sure to check it out.

Tina – The Tina Turner Musical

As corny as it sounds, Aisha Jawando’s powerful performance on Musicals: The Greatest Show was a big reminder that theatre simply is the best! Would you agree? The iconic number is just one of many featured in the new biographical musical, Tina – The Tina Turner Musical.

Nominated for Best New Musical at the Olivier Awards 2019 with Mastercard, the musical reveals the untold story of global icon, Tina Turner, who dared to challenge the bounds of her age, gender and race.

From humble beginnings in Tennessee to rising up as the global Queen of Rock ‘n’ Roll, Tina – The Tina Turner Musical features all your favourite showstopping songs. From River Deep – Mountain High to A Fool In Love, this stunning musical is well worth a watch at the Aldwych Theatre.

For exclusive performances and the inside scoop, check out our episode of Behind The Curtain with Tina – The Tina Turner Musical or boogie along to more of her iconic tracks over on our YouTube channel here.

Mamma Mia!

Enjoyed the movie and want to see the action live on stage? Or are you big ABBA fan and want to bop along to some of their iconic songs? Check out the trailer above – it’s one of the best feel-good musicals in London and we’re certain it’ll tick all the boxes!

More than two decades after it first premiered at the Prince of Wales Theatre, Mamma Mia! continues to offer theatre fans a bucket load of the feel-good factor at the Novello Theatre.

Set in stunning Greece, the hilarious and heartwarming story follows a young woman named Sophie who is planning her wedding. While her mother assists, the brides focus soon changes to tracking down her real father. Unbeknownst to her mother, Sophie ends up inviting three possible suspects to the wedding and they all turn up! Question is; which one will take her down the aisle and will any of them rekindle relations with her mother?

Featuring a number of ABBA’s most famous songs, Mamma Mia! is one of those musicals that you can keep returning to again and again because it simply never gets old! Like to see more? Head to Official London Theatre’s YouTube channel to watch exclusive performances and a Q&A with cast members here.

Joseph And The Amazing Technicolor Dreamcoat

Jac Yarrow had us dreaming of being at musicals in London again in last night’s incredible performance of Any Dream Will Do from Andrew Lloyd Webber and Tim Rice’s Joseph And The Amazing Technicolor Dreamcoat.

Over fifty years on from its release as a concept album, Joseph And The Amazing Technicolor Dreamcoat has well and truly taken its place as one of the world’s most loved family musicals. It’s hard to imagine that the multi-award-winning show began life as a small scale school concert, having since been performed in over 80 countries as far afield as Zimbabwe and Peru!

Lucky for us, the show is to be re-imagined in a spectacular new production to tell the story of Jacob’s favourite son, Joseph, and his eleven brothers. Sold into slavery out of the jealousy of his kin, Joseph finds himself in Egypt, where his reputation burgeons under Potiphar. But when he rejects the advances of Potiphar’s wife, Joseph is thrown into jail, where he discovers a unique ability to interpret dreams. Can he use this to resolve Egypt’s family and reunite with his family once more?

Starring Jason Donovan (as Pharaoh) and Jac Yarrow (as Joseph) and back by popular demand, the legendary musical promises to feature an epic score including renowned pop and musical theatre songs Any Dream Will Do, Close Every Door To Me, Jacob And Sons, There’s One More Angel In Heaven, and Go Go Go Joseph.

What are you waiting for? Check out the showstopping performance above and grab your tickets now so that you have something exciting to look forward to when musicals in London reopen.

If you’re uncertain which show to book but would like to support the industry and have something to look forward to, Theatre Tokens are a great alternative. They have no expiry date and can be used at more than 260 venues nationwide. Click here to find out more!

We hope this roundup has got you feeling super excited for all the incredible theatre that we have to look forward to but in the meantime, we’ve got plenty of things to keep you entertained. From our online calendar showcasing virtual theatre fixes to theatre quiz rounds and West End theatre spot the differences, there’s so much fun to be had. If what you’re looking for is more along the lines of interviews, performances and behind-the-scenes exclusives, don’t forget to check out our Official London Theatre YouTube channel here.

The Unicorn Theatre is delighted to announce that The Duchess of Cornwall has accepted its invitation for her Patronage to be extended for a further term.

Her Royal Highness has been the theatre’s patron since 2005 and is a keen supporter of the arts and a regular visitor to the Unicorn.  The Duchess most recently guest edited the Emma Barnett show on BBC Radio Five Live, which featured the theatre’s acclaimed Unicorn Online, devised as a response to the building’s closure due to the coronavirus pandemic.

Artistic Director Justin Audibert said ‘I’m so delighted that The Duchess of Cornwall has kindly renewed her patronage. It is wonderful to have her ongoing support for our theatre and for our work with schools and community groups – and it feels especially important at such a difficult time for our industry and for children.’

Park theatre looks to the future

Jez Bond and the team at Park Theatre are pleased to announce that Tania Dunn has been appointed to the role of Development Director, replacing Founding Development Director Dorcas Morgan, who recently moved on after nearly eight years at the theatre. Tania joins Park Theatre from the Young Vic, and previously worked in development at Shakespeare’s Globe and Historic Royal Palaces.

Tania’s appointment comes at a time of significant change for Park Theatre. A new staffing structure will facilitate a different model of programming, with the theatre aiming to reach out further to find, nurture, and develop artists. The position of Associate Artistic Director has been made redundant, with co-founder Melli Marie receiving the honorary lifetime title ‘Creative Director Emeritus’ to recognise her remarkable achievements over the years, whilst the Artistic & Executive Directors will be supported by a new General Manager, Producer Programmer and a team of readers & viewers. Recruitment for the new posts will begin in mid-February. Park Theatre continues to operate a Positive Action policy to aid in the endeavour to diversify their workforce. Any disabled candidates or candidates from a BAME background who meet the essential criteria listed in the person specification will be guaranteed a first-round interview.

Artistic Director Jez Bond says “I’m pleased that, with the support of our donors and funders, we have been able to craft a silver lining to the dark cloud of the last ten months. Tania Dunn arrives with a wealth of experience from, most recently, her work as Development Director at the Young Vic and, along with all the other changes we’re making, I’m thrilled for what this means for our next chapter. I am determined that we now reflect on who we are, what we are and why we are – so that we not only return, but burst forth with new promise for our community.”

Tania Dunn says, “I’m delighted to be joining the team at Park Theatre. I’ve been to countless brilliant productions there and I lived in Stroud Green when the theatre was being built so I’d always hoped to work there at some point. Jez and Dorcas have established a real community amongst the donors and I’m so looking forward to being a part of that as the theatre reopens and welcomes everyone back”

Presented in association with the Queen of Rock ‘n’ Roll herself, this electric production follows the ups and downs of Tina Turner’s rise to fame from small town Tennessee all the way to the biggest stages around the world. Featuring all your favourite hits, Tina – The Tina Turner Musical tells the story of a woman determined to not to bow down to the social constraints of her age, her gender and her race when doors are shut in her face.

The musical opened at the Aldwych Theatre in April 2018 and shot to immediate success: the production and its cast were nominated for several Olivier Awards this year, including Best New Musical. As well as an extended run in London, the prodction has has set its sights on international expansion, opening recently in Hamburg, Germany and with plans to open on Broadway later this year.

Aisha Jawando will takeover the lead role of Tina Turner in late September as current lead Nkeki Obi-Melekwe joins the same production over on Broadway. Tina Turner herself sings Aisha’s praises saying:

“I first met Aisha during early rehearsals for our show. She was in our original West End Company playing my sister Alline and I loved her performance.

“It has been special to watch her journey with us and see the development of her extraordinary talent. I am so pleased that Aisha will now lead our company through its next chapter here in London.”

The children’s cast will also be changing around in this newly announced extension, with Miah Hasselbaink, Athea Andi and Ayani Lingibe-Ajavon sharing the role of Young Anna Mae; Mimi Etete-Edge, Perola Da Cunha and Jasmine Djazel sharing the role Young Alline; and Cameron Mukasa-Brown, Theo Lee and Romell Barrocks-Bedeau sharing the role of Young Craig.

Written by Olivier Award-Winning playwright Katori Hall, Tina – the Tina Tuner Musical plucks at guitar strings and heartstrings alike. An empowering and emotional tale of one woman’s talent, heartbreak and fight for success, this iconic production is not to be missed.

Having first played Alline Bullock – Tina’s sister – in the show’s West End and world premiere production, Aisha has subsequently performed as Tina at certain performances. Now, she’s going to be taking the lead from 8 October, with Nkeki Obi-Melekwe headed to the Broadway production.

Tina Turner herself gave her seal of approval, saying: “I first met Aisha during early rehearsals for our show. She was in our original West End Company playing my sister Alline and I loved her performance.

“It has been special to watch her journey with us and see the development of her extraordinary talent. I am so pleased that Aisha will now lead our company through its next chapter here in London.”

Aisha herself added: “I have loved being part of this show from the very beginning, and I am thrilled to have the opportunity to play this exceptional role. Tina Turner is such an inspirational woman and I hope that I continue to make her proud.”

Aisha’s previous roles have included the title role in Cinderella at the Hackney Empire, The Life at Southwark Playhouse, and Martha Reeves in the original London cast of Motown The Musical in the West End.

Telling the story of the legendary artist, Tina – The Tina Turner Musical continues its open-ended run in London at the Aldwych Theatre. New seats will go on sale this autumn.

[related-article]

So when we were offered the chance to meet the West End’s two latest breakout stars, we knew it was Simply The Best opportunity – and headed along to find out what it’s like to play such an iconic duo in the world of Rock and Roll. Find out more below.

From humble beginnings in Nutbush, Tennessee, to the global Queen of Rock ‘n’ Roll, Tina – The Tina Turner Musical is the brilliant biographical musical which follows the story of a global icon, featuring her much loved songs.

Presented in association with Tina Turner herself, Nkeki Obi-Melekwe, making her West End debut in the role, portrays the titular global star in this triumphant musical tale, which was also nominated for Best New Musical at the Olivier Awards 2019 with Mastercard.

Tina – The Tina Turner Musical is currently booking at the Aldwych Theatre until 11 January 2020.

Earlier this month, the musical released their first single to download and stream. River Deep – Mountain High was recorded at Angel Studios last month, produced by the show’s Musical Supervisor, Nicholas Skilbeck.

Now a second single has now been announced, as a treat to the eager fans who’ve still got a few more weeks to wait for the full album. Called The Hunter, it features the incredible voice of Olivier Award-nominated actor Kobna Holdbrook-Smith (who plays Ike Turner). The Hunter is now available to stream and download here.

The album will be released for digital download and streaming on Friday 29 March 2019, with a physical CD to be released at a later date. Customers who pre-order the digital album will immediately receive a download of  The Hunter along with the first single River Deep – Mountain High.

Tina – The Tina Turner Musical’s Arrangements, Additional Music and Musical Supervisor, Nicholas Skilbeck says, “The Hunter was originally recorded by Ike and Tina Turner at the end of the 1960s and saw Tina’s first R&B Vocal Performance Grammy nomination. Ike Turner was a music revolutionary, considered by some, to be the father of rock n roll…We repositioned the song to be performed by Ike Turner (Kobna Holdbrook-Smith) and The Kings of Rhythm live at Club Manhattan in St. Louis in the 1950s, show-casing Ike’s musical genius and his role in creating the sound of tomorrow.

“When recording, the idea was to give this song a vintage quality but as though it had never been heard before, the listener is thrust back in time, into the raw energy of an early rock and roll gig, as if witnesses at the birth of the music revolution. Like our “River Deep-Mountain High” recording, it’s very much about feeling you are in the room with the music, Kobna, Adrienne, the band and having that visceral connection to it.”

The album’s track list will be:

1. Etherland
2. Nutbush City Limits
3. Don’t Turn Around
4. Shake a Tailfeather
5. The Hunter
6. Matchbox
7. It’s Gonna Work Out Fine
8. A Fool in Love
9. Let’s Stay Together
10. Better Be Good to Me
11. Higher
12. River Deep – Mountain High
13. Be Tender with Me Baby
14. Proud Mary
15. I Don’t Wanna Fight
16. Private Dancer
17. Disco Inferno
18. Open Arms
19. I Can’t Stand the Rain
20. Tonight
21. What’s Love Got to Do with It
22. We Don’t Need Another Hero
23. (Simply) The Best
24. Finale, Nutbush City Limits / Proud Mary

Tina Turner said about of the album’s announcement: “It is a privilege to have our show playing to full houses here in London night after night. I’m so looking forward to the release of our cast album, so we can share the music and also the way the songs tell my story. This was my biggest surprise in the making of the musical – I never realised my songs captured the life I was living.

“I’m turning 80 this year, and it’s a time for looking back. I’ve loved working with my producers, Phyllida, Katori, our creative team and of course this incredible cast led by Adrienne and Kobna. Together they found the love, and I am grateful.”

Playing at the Aldwych Theatre, Tina – The Tina Turner Musicals documents the incredible career of singer Tina Turner. From her humble beginnings in Tennessee to her transformation into the iconic Queen of Rock ‘n’ Roll, this show is full of emotion, heart and absolute tunes. We guarantee you’ll be singing her songs for weeks afterwards…

Presented in association with Tina herself, directed by Phyllida Lloyd and written by Katori Hall with Frank Ketelaar and Kees Prins, the show has broken all box office records since its arrival in Theatreland last April.

And the good news keeps on rolling (rolling), as the show recently announced that 200,000 new tickets went on sale. So whether you’re yet to see this incredible show, or you want to watch it again for the 200^th time, (hey, we aren’t judging), there will be more opportunities to see it.

A new cast for the show’s second year was recently announced. However, Adrienne Warren and Kobna Holdbrook-Smith aren’t going anywhere just yet, as they’re continuing in their roles of Tina and Ike Turner until 13 April 2019.

Luckily we’ve got the highlights from the past West End week to warm you up!

Matthew Broderick make his West End debut

Seems like Ferris Bueller isn’t due another day off for a while, as Matthew Broderick is coming over to London to make his West End debut.

Starring alongside Downton Abbey’s Elizabeth McGovern, Matthew will be appearing in Kenneth Lonergan’s new play, The Starry Messenger.

Set in the 1990s New York, the story revolves around an astronomer at the city’s planetarium, Mark Williams (Matthew). Mark is going through a mid-life crisis, feeling his strongest connection with the stars above, rather than to his job or marriage. But then he meets single mum Angela (Elizabeth), and he soon starts to have a little more faith in the universe.

The show will be on at the Wyndham’s Theatre for a strictly limited 13-week season between Thursday 16 May and Saturday 10 August.

War Horse returns to London

There will be soon new neigh-bours to Theatreland, when War Horse makes a brief return to London in October 2019.

Following its recent sell-out run at the National Theatre, and about to head out on an UK and international tour, War Horse will be performing at the new Troubadour Wembley Park Theatre for a limited 6-week run.

Rehearsal images released of All About Eve

The stage adaptation of the classic film, All About Eve, is nearly ready for West End audiences, but in the meantime, we’ve got some exciting rehearsal images to share.

Featuring an all-star cast including Gillian Anderson, Lily James and BAFTA-winner Monica Dolan, this show is definitely more than All About Eve!

Six The Musical extends until 2020

What’s better than the return of the Six queens in the Arts Theatre for a limited season? The latest announcement that it’s remaining there until January 2020. That’s right, you’ve got an entire year to see these rebellious, rocking, power-house queens tell their side of the her-story with King Henry The Eighth.

Shows you can see first with the New Year Sale

It’s safe to say there are some exciting new shows coming to London over the coming months. From Showstopper’s latest residency and the return of Katherine Parkinson in Home, I’m Darling, to the arrival of the passengers of Come From Away, Theatreland has never been busier!

And luckily for you, these shows, (and more) are currently in our New Year Sale. Check out these upcoming productions which currently have tickets for £10, £20, £30 or £40 for select performances.

Tina – The Tina Turner Musical to record UK cast album

It’s safe to say that Tina – The Tina Turner Musical has got absolute tunes, an incredibly talented cast and performances that you’ll never forget. And now you can take a little part of the show home with you when you leave the theatre, as the producers have announced a cast album is coming!

And the news doesn’t stop there, with a new cast for the production’s second year in the Aldwych Theatre, to still be announced! Although two things will remain the same; Adrienne Warren and Kobna Holdbrook-Smith will remain in the show as Tina and Ike Turner until 13 April 2019.

Louise Redknapp replaced by Caroline Sheen in 9 To 5 The Musical

Poor Louise Redknapp took a bit of a tumble last week, which means she’s temporarily not able to perform in 9 To 5 The Musical.

While she’s recovering, Caroline Sheen will be playing the role of Violet Newstead. You may have already seen Caroline in productions of Les Miserables, Chitty Chitty Bang Bang, the Mary Poppins tour and The Witches Of Eastwick, so you’ll be in more than safe hands!

Caroline will be joining the previously announced all-star cast, including Amber Davies (Judy), Natalie McQueen (Doralee), Bonnie Langford (Roz) and Brian Conley (Franklin Hart Jr).

10 things you probably didn’t know about Lin-Manuel Miranda

It was the musical genius’s birthday this week, and while you probably think you know everything about this award-winning mastermind, do you actually?

Test your knowledge and find out some facts that you probably don’t know about the man behind Hamilton, Bring It On and In The Heights.

Amanda Abbington to star in Florian Zeller’s The Son

There’s no mystery to solve here, as Sherlock actress Amanda Abbington will be performing in the UK premiere of Florian Zeller’s The Son.

The show will be directed by Michael Longhurst, whose most recent work you can currently see on the West End, the revival of Caroline, Or Change at the Playhouse Theatre.

The critically-acclaimed show opened to sold-out shows, and the run has broken all box office records for Aldwych Theatre. It’s undeniable West End success has also led to plans for a Broadway production. Plus, the show will premiere in Germany at the Stage Operettenhaus in Hamburg in March 2019.

Tina – The Tina Turner Musical tells the real-life story of the legendary performer. From her humble beginnings as a pastor’s daughter in Nutbush, Tennessee, to international superstardom, the show follows the highs and lows of an industry laced with prejudice. 

The powerhouse of a show was created in association with Tina Turner herself and written by Olivier Award-winning playwright Katori Hall. It’s directed by the internationally acclaimed Phyllida Lloyd.

It has all of your favourite Tina Turner hits including Tiny Dancer, What’s Love Got To Do With It, Proud Mary, We Don’t Need Another Hero, Simply The Best, and a whole lot more.

Tony-nominated performer, Adrienne Warren is currently starring as the title character and is currently set to continue her role until 16 March 2019. Jenny Fitzpatrick plays the role of Tina for some performances each week. They are joined on stage by Kobna Holdbrook-Smith as Ike Turner, Madeline Appiah as Tina’s mother, Lorna Gayle as Tina’s grandmother, Tom Godwin as Phil Spector and Terry Britten, Francesca Jackson as Ike and Tina’s manager, Aisha Jawando as Tina’s sister, Natey Jones as Tina’s father and Raymond Hill, Gerard McCarthy as Erwin Bach, and Ryan O’Donnell as Roger Davies.

So if you’re yet to see it, get ready for a rocking show filled with big hair, big emotions and even bigger hits.

We met up with the brilliant duo to talk all things Tina Turner, discussing favourite songs (when nobody else is watching, of course), and what it was like to meet the global Queen of Rock ‘n’ Roll herself, Tina Turner.

And as it turns out London theatregoers don’t have to cross no river deep or climb no mountain high to see Tina – The Tina Turner Musical. It started previews at Aldwych Theatre earlier this week.

https://www.facebook.com/OfficialLondonTheatre/videos/1386566081475815/

From humble beginnings in Nutbush, Tennessee, to the global Queen of Rock ‘n’ Roll, Tina – The Tina Turner Musical is the new biographical musical which follows the story of a global icon, featuring her much loved songs.

Throughout her career, Tina Turner didn’t just break the rules, she rewrote them. This new stage musical, directed by the internationally acclaimed Phyllida Lloyd, reveals the untold story of a woman who dared to defy the bounds of her age, gender and race.

Book your tickets today!

Set to makes its world premiere at the West End’s Aldwych Theatre, with previews from 21 March, the Tina Turner musical promises to take London audiences through the highs and lows from the untold story of a woman whose astronomical rise rewrote all the rules of the music industry.

So when the cast were visited by Turner herself, as these first pictures from the rehearsal room captured, it must’ve been quite the boost – particularly for West End debutante Adrienne Warren, who’ll be portraying the legendary star. Take a look at the first photos below.

One of the world’s best-selling artists of all time, Tina Turner first rose to fame in the 1960s, partnering with her then-husband Ike Turner, achieving great acclaim for their live performances and catalogue of hits. The duo’s releases at the time included the likes of A Fool In Love (1960) and River Deep – Mountain High (1966).

Divorce from Ike followed in 1978, with Tina Turner going on to enjoy an international solo career which saw her win 11 Grammy Awards. Her string of hits included Let’s Stay Together (1983), What’s Love Got To Do With It (1984 – Tina’s biggest hit, winning four Grammy Awards, including Record of the Year), The Best (1988), I Don’t Wanna Fight (1993) and the Bond theme tune GoldenEye (1995).

Book your Tina – The Tina Turner Musical tickets today!