By now, we’re sure you know what you’re getting when you book to see Wicked for £20, Mamma Mia! for £30, or Les Misérables for £40. But what about some of the lesser known shows in the New Year Sale?

For the adventurous among you, we’re here to highlight a few hidden gems in case that are taking part in the New Year Sale, so you can try something new for 2026.

Ballet Shoes

What’s it about? Three adopted sisters get taken into the house of an Edwardian explorer and paleontologist. Under the guidance of his niece and childhood nanny, the three girls grow and fight to pursue their differing passions in a world not built for women with ambition.

Why should I see it? The National Theatre’s adaptation of this 1930s novel was loved by children and adults alike when it premiered in November 2024 – so much so they brought it back a year later.

The three girls are full of fire and charisma; you can’t help be charmed by their never-say-die attitude. The set is like a madcap box of wonders that’s a delight to look at and the show will leave you feeling warm and fuzzy.

What’s the offer? Tickets for £20, £30, £40, £50, £60 for Tue – Thu performances in Jan and Mon – Thu performances in Feb until 20 Feb.

Evening All Afternoon

What’s it about? Jennifer is about to become Delilah’s stepmother. She wants to connect but they couldn’t be further apart.

Why should I see it? The Donmar Warehouse is a great venue – with only three rows on each side of the stage, you’re always close to the atmosphere which is perfect for these kind of intimate two-handers. Anna Ziegler’s last play, Photograph 51, won Evening Standard and WhatsOnStage Awards, with an Olivier Award nomination for Nciole Kidman in the lead role. This could be another award winner in the making.

What’s the offer? Tickets for £40 or £50 on all performances (19 Feb – 11 Apr).

Gerry & Sewell

What’s it about? Two Geordie best friends Gerry & Sewell haven’t got a lot going from them – with no jobs, Gerry’s family falling apart and Sewell’s dad in ill-health – so they set their sights on their ultimate dream: A season ticket to Newcastle United.

Why should I see it? It’s an underdog story that celebrates the unexpected hero in all of us, as well as the importance of friendship and shared passions. Like the story, the play itself is an underdog, having started at Laurel’s – a small social club in the North East – and earned its way up to a two-week run in the West End.

What’s the offer? Top price tickets for £40, £50 or £60 all performances – must end 24 January.

High Noon

What’s it about? In the the days of the Wild West, small town marshall Will Kane prepares to leave town after marrying Amy Fowler. But word arrives that Frank Miller, a vicious outlaw, has been released from prison and will arrive by the noon train. Torn between the honour of his new wife and the duty of his old job, Will must make a choice by noon.

Why should I see it? The 1952 Gary Cooper / Grace Kelly Western film, on which the play is based, is in the conversation for greatest movie ever made. While this play stays true to the source material, the production has changed its inspiration from McCarthyism to current world events to remain as timely as ever. Plus it unites two great acting talents in Tony Award winner Billy Crudup (The Morning Show) and Olivier Award winner Denise Gough (People, Places And Things and Andor)

What’s the offer? Tickets for £30, £40, or £50 for Mon – Fri performances for weeks beginning 26 Jan and 2 & 9 Feb.

Mrs. President

What’s it about? Already having todeal with the grief of Abraham Lincoln’s assassination, his widow, Mary Lincoln has to contend with social attacks from an envious elite. She engages the help of the world’s first celebrity photographer, Mathew Brady, who helped her husband win the presidency. But their partnership soon unravels in a battle for creative control.

Why should I see it? The play is written by playwright and historian (and artist) John Ransom Phillips so promises to be an accurate and thought-provoking account of power, female agency and representation. Of course, if you’re less concerned with historical accuracy and more concerned with a barrel of laughs, Mary Lincoln is also the lead character in outrageous camp comedy Oh, Mary! at the Trafalgar Theatre – also taking part in the New Year Sale.

What’s the offer? Tickets for £10, £20, £30 or £40 for all performances (23 Jan – 8 Mar).

The Spy Who Came In From The Cold

What’s it about? Set in the murky world of the Cold War, British intelligence officer Alec Leamas is ready to retire and ‘come in from the cold’. But following the killing of his most reliable source, Leamas is tempted into one dangerous, deceptive and personal final mission.

Why should I see it? This is the first stage adaptation of a novel by John le Carré, the master of the modern spy thriller. Performed in Sohoplace’s intimate in-the-round space with period costume, this a tense, sophisticated and provocative look at the political era that shaped the modern world. Must end 21 February.

What’s the offer? Tickets for £60 (£20 off) for performances on 21, 26, 27 & 28 Jan and 2 & 3 Feb. Last few tickets remaining.

Summerfolk

What’s it about? During the hot and beautiful Russian summer of 1905, Russia’s elite holiday in the countryside to enjoy the best things in life. But as the party continues, how long can they ignore the storm on the horizon?

Why should I see it? Maxim Gorky was one of Russia’s most successful authors of the age, with five Nobel Prize nominations, although he was also imprisoned for his work as he dared to criticise the status quo. This exciting new version by siblings Nina and Moses Raine (descended from Dr Zhivago author Boris Pasternak) promises to be a razor-sharp portrait of class, privilege and denial.

What’s the offer? Tickets for £20, £30, £40, £50 for most performances from 12 Mar – 29 Apr.

The Stage has announced the winners of The Stage Awards 2026, in association with Tysers Live, honouring creativity, talent and dedication on and off the stage. Now in its 16th year, the awards shine a spotlight on everything from national theatres to hidden gems and the unsung heroes behind the scenes. This year’s ceremony took place on Jan 12 at the Royal Opera House’s Linbury Theatre, London.

The 10 categories included Theatre of the Year, Theatre Building of the Year, Producer of the Year, International Award, Innovation Award, Community Award, Campaign of the Year,Fringe Theatre of the Year, Team of the Year, and Unsung Hero, alongside a special Judges’ Award. Welsh National Theatre founder, Michael Sheen, who ranked number one in The Stage 100, was also presented with an award recognising his success in the annual power list.

Joint winners of Theatre of the Year, sponsored by Moore Kingston Smith, were London’s Royal Court Theatre and Newbury’s Watermill Theatre. For the Royal Court, it is the theatre’s first win in 15 years, recognised for a string of critically acclaimed productions under its new artistic leadership. The Watermill, a 2024 winner, impressed again with record-breaking shows, including its revival of Jesus Christ Superstar and international transfers of Calamity Jane, Fanny, Barnum, and The Lord Of The Rings.

Theatre Building of the Year, sponsored by TAIT, went to Soho Theatre Walthamstow, a stunning 960-seat venue born from a decade-long grassroots campaign to save a 1930s grade II-listed Granada cinema. Blending art deco charm with modern facilities, the theatre features studio and podcast spaces, accessible dressing rooms, bars and a world-class inaugural programme. Judges hailed it as “a local theatre with a national profile”, highlighting its economic and creative impact through partnerships with Waltham Forest Council and community groups, creating over 100 jobs.

Producer of the Year, sponsored by 3 Mills Studios, was awarded to Wessex Grove. The company wowed audiences with The Seagull at the Barbican starring Cate Blanchett and Tom Burke, and the New York transfer of Vanya with Andrew Scott. Its current production of All My Sons, directed by Ivo van Hove, also drew praise from judges. Alongside its high-profile shows, Wessex Grove has also championed new work in the West End, including Samuel D Hunter’s Clarkston and Oh, Mary!. Judges particularly praised the company’s focus on vital industry issues, including a year-long project on women’s health in theatre, opening conversations about menstruation, infertility, pregnancy, baby loss and menopause, and shaping new workplace policies with Applause for Thought.

Fringe Theatre of the Year, sponsored by Encore Insure, went to Manchester’s Hope Mill Theatre, celebrating a transformative 10th anniversary for the venue founded by Joseph Houston and William Whelton. From a £10,000 loan and a grade II*-listed mill, Hope Mill has grown into one of the UK’s most dynamic producing houses. After a challenging period emerging from the pandemic, a bold new producing model allowed the theatre to stage larger regional productions while keeping a vibrant home programme in 2025. Beyond its shows, Hope Mill nurtures young talent through its Theatre School, supports emerging companies and new writing, runs its LGBT+ festival Turn On Fest and launches degree-level training with the Northern School of Contemporary Dance, cementing its place as a hub for creativity and opportunity in the North.

The Community Award went to Common/Wealth, the site-specific theatre company known for creating bold, political work with communities rarely reached by traditional theatre. Founded by Evie Manning and Rhiannon White, the Bradford- and Cardiff-based company makes shows in council houses, boxing gyms and car parks, meeting audiences where they live. Embedded in its communities for 17 years, Common/Wealth continues to produce critically acclaimed, often life-changing work, most recently premiering Public Interest for Bradford UK City of Culture and Demand the Impossible in Cardiff, reaffirming its commitment to theatre as a tool for meaningful social change.

This year’s Innovation Award, sponsored by Charcoalblue, was awarded to Hull Truck Theatre for its pioneering theatre-based training scheme for GPs. Developed by the theatre’s creative learning team and piloted in partnership with a local NHS branch, the programme uses drama techniques to build communication, empathy and confidence in trainee GPs. Drawing on Augusto Boal’s Forum Theatre, participants explore complex medical scenarios through role play, reflection and intervention. The initiative has not only supported future doctors and their patients but has also generated new income for the theatre, demonstrating the powerful potential of collaboration between the arts and healthcare.

Nowhere is the power of cross-cultural storytelling more evident than this year’s winnerof the International Award, sponsored by Concord Theatricals,Foreign Affairs, London. Founded by Camila França and Trine Garrett, the company challenges the UK’s under-representation of plays in translation, presenting new English versions of works from across the globe. Over the past year, it supported emerging theatre translators through its Jerwood-funded mentorship, showcased productions from Japan, Sweden, Chile and Kenya, and launched Field Notes, a digital hub sharing 15 years of experience in international collaboration. At a time when diverse international voices remain marginalised, Foreign Affairs proves that theatre can bridge cultures, amplify unheard stories, and bring the world to UK stages.

Campaign of the Year was awarded to Brixton House and PlayWell Productions for Black Power Desk, a campaign that combined cultural authenticity, creative boldness and real impact. Leaning into the show’s themes of radical resistance, the campaign engaged audiences across digital platforms, press and live events, achieving 110% of its income target and 132% of its audience target, with 70% first-time bookers. From TikTok livestreams via content creator DJ AG to cinematic content and influencer partnerships, every element resonated with its multigenerational, multi-ethnic audience. Judges praised the campaign not only for delivering box-office success but also for creating lasting dialogue, proving that thoughtful, culturally grounded marketing can build powerful, loyal theatre communities.

Team of the Year went to Lyric Scene Shop at Belfast’s Lyric Theatre, recognising a team whose skill, collaboration and innovation have transformed scenic production in Northern Ireland. In just four years, the in-house workshop has delivered sets for every Lyric production since 2021 while also supporting Northern Ireland Opera, Irish National Opera, and other companies. Working to Theatre Green Book standards, the team reuses over half of all scenic materials, combining sustainability with creative flexibility. Led by Aidan Payne, the workshop’s carpenters, fabricators and scenic artists collaborate closely with designers, enabling more informed planning and bringing ambitious visions to life. Judges praised the team not only for their craftsmanship but also for fostering a culture of trust, skill-sharing and sustainable theatre making across the region.

The tireless work of countless individuals on and off stage in a variety of roles whose commitment goes above and beyond the call of duty is brought into sharp focus every year with the Unsung Hero award, sponsored by Encore. This year’s winner is Eugene Ju-Pierre, stage door manager of the Royal Ballet and Opera who was presented with his surprise award along with a special performance by Sir Bryn Terfel. Nominated by colleagues, Eugene is celebrated for more than 25 years of outstanding service at the heart of one of the world’s busiest stage doors. As stage door manager, he is renowned for his professionalism, warmth and unwavering sense of responsibility, ensuring the smooth and safe running of the building while offering a welcoming smile to everyone who passes through. Judges praised Eugene’s attentiveness, humour and genuine care, which have made him a much-loved colleague and exceptional ambassador for the Royal Ballet and Opera.

Meanwhile, the Judges’ Award went to publisher Nick Hern. The judges praised Hern as one of the most quietly influential figures in modern British theatre, whose work has helped shape the contemporary theatrical canon and sustain countless creative careers. Beginning his career as drama editor at Methuen in 1974, Hern transformed theatre publishing by pioneering the practice of releasing play texts alongside their first productions and developing the innovative ‘programme-text’ model in collaboration with the Royal Court Theatre. Through Nick Hern books, he championed new writing, ensured plays were widely accessible to audiences, students and practitioners, and created vital income streams for playwrights through script sales and amateur performance royalties. Judges highlighted the profound ripple effect of this work, which has supported emerging writers, inspired revivals and international productions, and helped cement the UK’s global reputation for new writing. Having stepped back from the day-to-day running of his publishing house this summer, Hern was honoured for more than 50 years of exceptional contribution to theatre.

Summing up this year’s remarkable award winners, The Stage editor Alistair Smith said: “This year’s winners show theatre at its most confident and outward-looking, combining artistic ambition with a clear sense of purpose. From major institutions to independent innovators, they demonstrate how strong leadership, deep community roots and creative risk-taking can deliver real impact on stage and beyond it.”

This year’s ceremony celebrated the very best of British theatre over the past 12 months. Hosts Hilson Agbangbe and Lucy Karczewski, recent winners of The Stage Debut Awards, guided the evening, which featured standout performances from Leesa Tulley and Grace Hodgett Young, both previous winners of Best Performer in a Musical at The Stage Debut Awards. The event brought together an audience of nominees, industry leaders, and distinguished guests for a night of unforgettable moments, energy, and celebration.

THE WINNERS IN FULL

Theatre of the Year – sponsored by Moore Kingston Smith

Royal Court Theatre, London
Watermill Theatre, Newbury

Fringe Theatre of the Year – sponsored by Encore Insure

Hope Mill Theatre, Manchester

Producer of the Year – sponsored by 3 Mills Studios

Wessex Grove

Theatre Building of the Year – sponsored by TAIT

Soho Theatre Walthamstow, London

Community Award

Common/Wealth, Bradford

International Award – sponsored by Concord Theatricals

Foreign Affairs, London

Innovation Award – sponsored by Charcoalblue

Hull Truck Theatre

Campaign of the Year

Black Power Desk, Brixton House and Playwell Productions

Team of the Year

Lyric Scene Shop at the Lyric Theatre, Belfast

Unsung Hero – sponsored by Encore

Eugene Ju-Pierre, Royal Ballet and Opera

Judges’ Award

Nick Hern

The Stage 100 – sponsored by Plann

Michael Sheen

The Stage Awards is headline sponsored by Tysers Live.

This is particularly true of shows which haven’t opened yet. Given these shows are new and may be unfamiliar to you, we thought we’d take a closer look at shows in the New Year Sale which are opening in the coming months…

January

Gerry & Sewell opens on 13 January. This heart-warming comedy about friendships and underdogs follows two Newcastle United fans desperate to get a season ticket. After a sell-out run in the North East, the play transfers to the West End for only two weeks.

Chichester Festival Theatre has a strong record of West End transfers – think Half A Sixpence, Quiz, revivals of Gypsy and Caroline, Or Change – and it shows no signs of slowing down.

The Unlikely Pilgrimage Of Harold Fry is a new musical based on Rachel Joyce’s profound and funny novel, with music by indie musician Passenger. It had rave reviews in Chichester last summer and transfers with original cast members Mark Addy and Olivier Award winner Jenna Russell, with previews from 29 January and New Year Sale prices in February, too.

Theatre company Frantic Assembly celebrate their 30^th anniversary with a new play, Lost Atoms, written by Anna Jordan who wrote episodes of Succession and One Day. The play charts the life-changing relationship of Jess and Robbie and focusses on how differing memories can change our stories. It runs at the Lyric Hammersmith from 30 January – 28 February, taking part in the New Year Sale for February performances.

February

For one night only, X Factor contestant turned West End star Lucie Jones is Live At The London Palladium. Blending her live gig roots with the drama of her stage career, including regular performances in Les Miserables and the leading role in Waitress, this will be a unique concert that showcases her incredible vocal talent. Expect surprise appearances and unique collaborations. 16 February only.

Evening All Afternoon is a brand new play by American playwright Anna Ziegler, who had a hit on the West End with Photograph 51, starring Nicole Kidman. This play explores the relationship between a stepmother and stepdaughter, confronting the human dilemma about facing loss and opening up to new connections. The play runs from 19 February – 11 April at the Donmar Warehouse, an intimate and compelling space with a storied history.

March

Sibling duo Nina and Moses Raine (Consent and Donkey Heart, respectively) team up for a new translation of Summer Folk, by Russian dramatist Maxim Gorky. 1905 was a hot, beautiful summer in Russia, but while the elite wine and dine, a storm is on the horizon. The story is fitting for the Raines, whose great uncle was Boris Pasternak, author of Doctor Zhivago. Summer Folk runs from 12 March – 29 April at the National Theatre.

While you can find opera and ballet at the London Coliseum for much of the year, London’s largest theatre stages a big musical each summer. This March will see the first West End revival of Kinky Boots.

The show is based on the British film and true story of a Northampton shoe factory that hits hard times, then takes a chance on becoming a specialist in shoewear for drag artists. With music and lyrics by pop star Cyndi Lauper and a book by Harvey Fierstein (La Cage Aux Folles), this production will be led by Strictly Come Dancing’s Johannes Radebe in the role of Lola.  It runs from 17 March – 11 July with New Year Sale offers on most April, May and June performances.

This time we’re chatting to Hal Fowler (Cats, Les Misérables, Dear Evan Hansen) who is starring as Mathew Brady, the world’s first celebrity photographer in the brand-new re-imagining of Mrs. President at the Charing Cross Theatre. This London production brings to life an intimate and politically charged portrait of America’s most misunderstood First Lady, played by Broadway legend Keala Settle.

1. My route into theatre was…

Not planned. I went to drama school because I didn’t get the grades to go anywhere else – then followed a series of fortunate mistakes. I still wonder what I’ll be when I grow up.

2. My West End idol is…

All the understudies. The hardest job in the building – and the one that sharpened my skills more than anything else.

3. My colleagues would describe me as…

Calm, prepared, and occasionally the grown-up in the room with the faintest trace of disco damage.

4. My favourite show (that isn’t one I star in/work on) is…

Sweeney Todd. Dark, funny, and beautifully brutal. (Furiously manifesting that role.)

5. The career moment I’m most proud of is…

Finally getting Gillian Lynne’s choreography right when I played Gus in Cats. I just wish it had coincided with opening night.

6. The hardest part about my job is…

It’s a gift of a job. But difficulty matters – if it isn’t difficult, it’s probably not worth doing.

7. If I wasn’t an actor, I would be…

Working with plants. I spent ten years as Chair of Directors at Waste Not Want Not: Nurturing Plants and People, and growing things from seed teaches you a great deal about patience – and about life.

8. Something people don’t know about me is…

I’ve spent a fair bit of time chainsaw carving. It’s very good for the nerves.

9. The best piece of advice I’ve ever been given is…

In life: be present. In acting: say the lines and don’t bump into the furniture.

10. The one thing I wish I could tell my younger self is…

Be attentive (and buy Bitcoin).

Don’t miss your chance to see Hal in this gripping psychological drama about the turbulent life of Mary Lincoln at Charing Cross Theatre from 23 January to 8 March 2026.

Emma D’Souza has dedicated over twenty-five years to the theatre sector through her work at the Society of London Theatre & UK Theatre, campaigning to build new audiences and make theatre more accessible – including leading the team behind this very website. In 1998, she founded and launched Kids Week, an initiative which has seen over 2.5 million families introduce their children to theatre for free. Every year, Emma collaborates with Westminster City Council to deliver West End LIVE a free weekend of theatre performances for the public which attracts audience of 70,000 people to Trafalgar Square every June.

In addition, Emma is the Executive Producer of the Olivier Awards and in 2023 worked in collaboration with disability action groups to ensure the event is accessible to all. The ceremony, broadcast to the UK and across the globe, is a showcase of our world-leading sector and its creative achievements.

Fundamental to the recovery post-pandemic, Emma delivered the industry wide Back On Stage national campaign, alongside the See It Safely protocol, to encourage live audiences back into theatres. She worked tirelessly during the period ensuring that the industry received daily communication and advice in navigating the ever-changing situation. She additionally collaborated with photographer Rankin on Performance by Rankin, a landmark exhibition and book celebrating the talent and resilience of London’s Theatreland.

Jon Gilchrist has worked tirelessly on behalf of his local community to create sustainable pathways for creative talent in the region. Under Jon’s leadership and five-year strategic plan, the Hippodrome has launched the UK’s first in house department for New Musical Theatre and a New Work & Artist Development department, enabling more artists to create work in the West Midlands. The theatre’s Hippodrome Education Network reaches over 30,000 young people a year, providing an essential first point of engagement with culture for schools in some of the most deprived areas of Birmingham.

He was also Joint President of UK Theatre 2022-2025. As Joint President of UK Theatre (alongside Stephanie Sirr MBE) Jon was instrumental in the recovery of the UK theatre community post-pandemic, successfully lobbying for the continuation of Theatre Tax Relief, a lifeline to the sector which has supported touring theatre and ensured there are more new shows in production across the country.

In recent months Jon has been appointed to the Creative Industries Council and as a National Council Member for Arts Council England.

SOLT & UK Theatre Co-CEOs Claire Walker and Hannah Essex said:

“We are thrilled that Emma and Jon have been recognised for their profound and far-reaching contribution to British theatre. It has been an honour to work so closely with both of them during our tenure as Co-CEOs, and they are a true asset to our organisations.

“Emma has steadfastly championed the sector with professionalism, grace and resilience. Her impact on the theatre industry, in particular for those who have been able to access theatre for the first time, is truly inspirational.”

“The extraordinary success Jon has achieved in his local community, and for the recovery of the industry, has been astonishing. Through his leadership and tireless advocacy, he has helped shape a more dynamic and accessible theatre industry for the Midlands.

Emma D’Souza said:

“I am truly humbled to receive this honour for doing a job that I love and for championing an industry that I care so deeply about. It has been a privilege to serve my members and introduce so many people to the magic of live theatre.

“Over the years, I have collaborated with so many inspiring partners and individuals, and could not have achieved any of this without the wonderful team – past and present – at the Society of London Theatre & UK Theatre.”

Jon Gilchrist said:

“I am extremely humbled to be recognised with an MBE. I have had the privilege to learn from, and work alongside, a huge number of extraordinary people throughout my career. This award is dedicated to so many friends and colleagues, especially those at Birmingham Hippodrome, for their inspiring commitment to the transformative power of theatre.”

Others recognised in the list include Olivier Award-nominee Meera Syal; star of stage and screen, Cynthia Erivo; Idris Elba who was part of the producing team of Shifters on the West End; Matt Lucas – know for his portrayal of Thénardier in Les Misérables; and Warwick Davis who produced and starred in The Reduced Height Theatre Companies production of See How They Run in 2014. Also recognised are Olivier Award-winning lighting designer Paule Constable; Olivier Award-winning playwright and theatre director Nadia Fall; Kathryn Geraghty, Head of Technical Qualifications at the National Theatre; Sarah Ellis, Director of Creative Innovation at the RSC; and Theatre Consultant, Producer & Curator and former UK Theatre president Rachel Tackley.

Alternatively, if you know they’d love a night at the theatre but aren’t sure what their taste is or when they’re free then consider a Theatre Token. Theatre Tokens can be used for any show on our website, along with over 300 venues across the country, they never expire and e-gifts are delivered instantly no matter when they’re ordered.

Something New

If your giftee is the adventurous sort, why not give them a new show to try?

Titaníque opened earlier this year and, with its unique style of humour, won the Olivier Award for Best New Comedy and Entertainment. The show is perfect for anyone looking for a fun, laugh-out-loud evening. What starts off as a retelling of the 1997 Titanic film goes awry when Celine Dion turns up and invades the story. Along with whacky pop-culture jokes and camp costumes, expect incredible singing voices and for your belly to hurt from laughing so much.

If they’ve already seen it and loved it, then they’ll probably love Dracapella. Similar to Titanique, this is a sideways look at a story we all know but with hilarious, anachronistic gags thrown in from the creators of Mock The Week. Plus all the sound effects and music are created live by UK Champion beatboxer ABH Beatbox.

If they really like having a laugh and want something new then you can’t beat Showstopper! This veteran improv team create a brand new musical each and every night based on audience suggestions from you.

If they’re more of a play than a musicals person, then Lost Atoms might be their cup of tea. This brand new play is by Succession writer Anna Jordan, from trusted company Frantic Assembly. Lost Atoms is a funny and moving portrayal of how we remember love – but can our memories be trusted?

Recently returned

If you think they’d prefer something they’re more familiar with, what about these shows that are making a glorious return to London?

With music by pop superstar Cyndi Lauper and a book by Harvey Fierstein (La Cage Aux Folles), Kinky Boots adapts the uplifting true story of a northern industry town down on its luck, until Lola, the sparkling, larger-than-life drag queen comes to town. This summer’s big musical at the London Coliseum will feature Strictly Come Dancing’s Johannes Radabe and is sure to be a big hit. Book early for April – July dates.

Staying with theme of modern British history, Sunny Afternoon is a jukebox musical that follows the euphoric highs and agonising lows of ‘60s rockers The Kinks. Featuring hits like You Really Got Me and Lola, this is rocking night out that won four Olivier Awards when it debuted and is the first time it’s returned to London.

A great introduction to musicals for children or a heady nostalgia night out? Whatever the reason you want to see Starlight Express, you won’t be disappointed in the new custom built Starlight Auditorium at Troubadour Wembley Park. With all the performers on roller skates, the unique staging puts you in the heart of the action as the actors race all around and above you.

Familiar favourites

If the person you’re buying for is someone who lives locally and keeps meaning to go to the big shows but something else always gets in the way, the New Year Sale is a great time to finally tick long-runners off your list.

It’s impossible not to be bowled over by the majesty and theatricality of Disney’s The Lion King. Enjoyed by over 20 million theatregoers, you will be dazzled by the puppetry and dance that fit in seamlessly with the familiar story and enchanting songs of the original film.

Spending its third Christmas in the West End, now is the time to see Stranger Things: The First Shadow. With the final episode due to land on Netflix this New Year’s Eve, what better present could you find for a fan of the Upside Down then to send them back in time to Hawkins and discover where the story began?

If they love a mystery but Stranger Things is a bit too scary for them, perhaps they’d prefer the stiff upper lip of the world’s longest running play – The Mousetrap. There’s a reason Agatha Christie is the most translated author in the world – no-one writes a mystery like her, so why not come and see one of her most famous ones this New Year? Can you figure out whodunnit before everyone is gathered in one room?

Keep Christmas going

Christmas doesn’t have to end on 25 December. If you want to be like Scrooge (after his transformation) and keep Christmas cheer all year round, then there’s a few festive treats you can try even in the New Year.

Charles Dickens’ A Christmas Carol: A Ghost Story is a stage adaptation of the quintessential Christmas story, but with more emphasis on the supernatural and spooky side of things. Don’t worry, it’s not too scary but the atmospheric surroundings of the recently rediscovered Alexandra Palace Theatre is the perfect space for this ghost story.

December in Britain means pantomimes everywhere you look, so how do you decide which one to pick? The answer is don’t – go to Potted Panto at Wilton’s Music Hall and you can enjoy seven classic pantomimes in 80 hilarious minutes.

Recapture your youth with The Snowman, a live dance adaptation of Raymond Briggs’ classic picture book. This is a perfect introduction to dance for young audiences, or the child inside us all.

Culture vultures

It’s not just plays and musicals in the New Year Sale. If you know someone who is a bit of a culture vulture, this might be the treat for them.

Matthew Bourne is synonymous with stunning reinventions and his take on the golden age film The Red Shoes is no different. This intoxicating drama of life imitating art captivated audiences and inspired a generation of dancers. Back in London for December and January, it’s a festive treat.

If you’re looking for something more light-hearted, perhaps you’d prefer The Opera Locos – the greatest hits of opera in one night. Combining opera classics with pop hits by Elton John and Whitney Houston, with a dose of physical comedy for good measure – it’s the perfect show for opera buffs and those who don’t know their Aida from their arias.

Keeping with the light-hearted theme, Tutu pays homage to the dance world but with an irreverent gender-defying extravaganza. From hip-hop Swan Lake to slapstick Dirty Dancing, this show will leave you dancing in the aisles.

Still not sure? Head over to our New Year Sale page to see over 50 top London shows taking part.

This time we chatted to Thomas Dennis, currently playing Detective Sergeant Trotter in one of the most famous whodunnits in the world – Agatha Christie’s The Mousetrap. Now in it’s 75th year, you would think audiences would have sussed out the culprit by now, but we’re still searching years after famous murder mysteries first performance in London.

1. My route into theatre was…

My route into Theatre started with Andrew Lloyd Webber’s TV series “I’d Do Anything” where his plan was to cast the new production of ‘Oliver’ through open auditions and a TV series that followed the audition process.

I lived in France at the time but begged my parents to audition. So at 11 years old we flew to London so I could audition. The process for me was incredibly short. I was given a number along with hundreds of other kids auditioning. I sang one line and my number wasn’t called. They never even asked my name. I remember coming out of the audition, telling my parents that they hadn’t asked me my name (let alone listened to the songs I’d spent hours rehearsing that they had asked us to prepare). I left the audition with one purpose in mind… to prove Mr Webber wrong.

After that I auditioned for Sylvia Young Theatre School, was offered a place, left home, moved back to London to live with a host family and started half way through the school year in January. A year later I opened in ‘Oliver’ at Theatre Royal Drury Lane as ensemble B14 – my West End Professional Debut! I achieved my dream and on top of that, in my mind I proved Mr Webber wrong. ☺️💪🏻

2. My West End idol is…

Laurence Olivier.

3. My colleagues would describe me as…

Fun, nerdy, cheeky, bonkers, supportive and committed.

4. My favourite show is…

I have been blessed to be able to work on my favourite West End Show – The Curious Incident of the Dog In The Night Time. How loyal the production was to the book was inspiring and the use of theatre and imagination to take us into the mind of this extraordinary character was very special. I couldn’t help but fall in love with the show.

5. The career moment I’m most proud of is…

The past few months. I have spent this year writing, producing, directing and starring in my first short film called A Taste Of Loyalty about King Richard III. From raising the money, to bringing the team together, to shooting the film and editing it, I have poured my heart and soul into the project.

Then to have the opportunity to star in the West End’s production of The Mousetrap alongside this has truly been an honour. I shot the film over two weekends, recreating a medieval battlefield, while rehearsing The Mousetrap during the week with my first BBC Radio 4 drama thrown in.

All in all, I spent a week recording the BBC Radio 4s new production of Last of the Mohicans, followed by a weekend on a Medieval Battlefield shooting my own film, then into rehearsals for The Mousetrap on the Monday before completing my shoot the weekend before tech. Three incredible projects in the space of 4 weeks. What a rollercoaster but something dreams are made of!

6. The hardest part about my job is…

Also one of the most exciting things about my job. Keeping a show fresh and alive for the duration of a run is so much harder than I think anyone ever gives it credit for. Bringing my A Game day in and day out for live audiences who only see the show once requires discipline and sacrifice. The thrill of performing never leaves, but ensuring the real world does not impact on the show is definitely the hardest part. Our responsibility as actors is to be human and vulnerable, yet without letting a bad day affect the work.

9 shows a week for 6 months is hard work but the journey of discovery is unmatched. On a long contract I really do feel I can live and breathe the story. I can learn so much more about the show and as a company we can grow together!

7. If I wasn’t an actor, I would be…

Unemployed. I can’t imagine myself doing anything else. If I was forced to choose, it would have to be something history related. I am by no means an academic but I love history. History is what brought me to acting. The ability to recreate periods in history from our imaginations and re-create the lived experience of people who have been before and who have helped shape who we are today is so very unique and unrivalled in my opinion. There is a justice in bringing to light historical stories that otherwise could be forgotten.

8. Something people don’t know about me is…

I am a staunch Ricardian. A believer in the Good King Richard. King Richard III’s (1452-1485) reputation has been tarnished by history, by Shakespeare and by vicious Tudor Propaganda. I believe he has been falsely accused of murdering the Princes in the Tower. There is no evidence proving they were murdered. There is, however, evidence to suggest they survived the Tower of London. I believe this is an important story to tell because it explores the dangers of propaganda. It is a story about the search for truth. Something all actors strive for. We know history is written by the victors but do we ever really know how much of what we believe in is actually shaped by those in power?

9. The best piece of advice I’ve ever been given is…

Reach for the stars and you will get to the moon.

10. The one thing I wish I could tell my younger self is…

Keep doing what you are doing! Enjoy the journey and trust the process.

Step into the St Martin’s Theatre and immerse yourself in Agatha Christie’s genre defying murder mystery. Millions have done it, have you?

Do you have a friend or family member who’s obsessed with theatre? Have you been looking for the perfect gift for them this Christmas? Theatre Tokens has you covered. 

Giving the gift of theatre has never been easier with a Theatre Tokens gift card or e-gift. 

Put a smile on the faces of your friends and family by gifting them theatre tickets that they can use at a time (and for any show) that suits them best. 

Why choose a Theatre Token over other gift cards?

Theatre Tokens gift cards are a flexible way to give theatre tickets as a gift. They are the only theatre gift card that can be used nationwide. More than 300 venues nationwide accept them, including the best regional theatres and all of London’s famous West End stages.

Unlike many gift cards Theatre Tokens have no expiry date, meaning they can be used whenever the perfect show comes up. Plus, if there’s any money left over they can use that towards another ticket later on.

We’ve been running since 1984 so you can trust us. Plus we’re backed by the not-for-profit Society of London Theatre, so buying with Theatre Tokens helps put money back into the theatre industry.

There’s really no better way to give theatre tickets as a gift. 

Where can I buy Theatre Tokens?

You can buy Theatre Tokens gift cards either online or in person at a theatre or lots of high street shops and supermarkets. 

Buy Theatre Tokens gift cards on the Theatre Tokens website and choose between a number of physical and digital gift options. 

What’s the difference between a gift card and an e-gift?

A Theatre Token works the same whether it’s a gift card or an e-gift.

Buy a Theatre Token gift card online

A physical gift card comes with a presentation wallet and has the option of including a personalised greetings card in a range of designs so they can be the complete Christmas gift package.

Gift cards are sent in the post by Royal Mail. All gift card orders placed before 1pm are despatched on the same day, while orders after 1pm are despatched the following working day, excluding weekends and bank holidays.

There are also special limited edition show-themed gift cards, so you can treat someone to an extra special gift if they would love Wicked, Moulin Rouge! The Musical or Stranger Things: The First Shadow – but don’t worry, these cards can still be used for other shows just like a regular Theatre Token.

Buy a Theatre Token e-gift online

An e-gift is sent within 15 minutes of being ordered and can be sent either to you or directly to the giftee, which makes it the perfect solution for someone who’s been accidentally missed off your Christmas list, or as a replacement for a gift that’s been lost in the post.

You can also choose to delay your e-gift being sent, so that it arrives just after midnight on Christmas Day, or whatever occasion you’re looking for.

E-gifts are available in a range of looks including classic Theatre Tokens designs or e-gifts with specific shows, theatre venues or special occasions and messages. You can also include a personalised message with your e-gift to make sure they know who sent it.

Where can I buy Theatre Tokens in person?

You can buy Theatre Token gift cards from the box office of any participating theatre or from many high street retailers including Tesco, Sainsbury’s, Morrisons, Waitrose, John Lewis, WHSmith and Waterstones, plus independent shops and tourist information centres.

To find your nearest Theatre Tokens retailer, head over to our Where To Buy page and enter your town or postcode.

What happens if the ticket costs more/less than I’ve gifted?

Theatre Tokens don’t have to match up to the exact amount of the ticket price. It can be used as part-payment towards a ticket with the rest bought by the ticket buyer. Or if they’ve found a bargain and the ticket is less than what’s on the Theatre Token, they needn’t worry because the remaining amount will stay on the Theatre Token ready to be used in their next purchase, with no expiry date.

What are you waiting for? Give the gift of theatre to your friends and family. 

That’s because Christmas in British theatre means pantomime season. With so many theatres in London, there’s plenty of pantos on throughout the capital and we’ve listed the best of them for you below.

What Pantomimes can you see in London for Christmas 2025?

Cinderella at the Rose Theatre, Kingston-upon-Thames

Nestled in the leafy, market town of Kingston-upon-Thames, this year the Rose Theatre offers a magical fairytale that’s not quite the story you know. With direction by Olivier Award winner Chris Bush (Standing At The Sky’s Edge), this show also features brand new songs. 

Cinderella retells the fairy story of a girl forced to spend Christmas with her wicked new step-mum and horrid twin step-sisters. When she’s whisked away into a magical world of castles and princes, will she find her happy ending?

26 November 2025 – 4 January 2026

Dick Whittington And His Catford Cat at the Broadway Theatre, Catford

Proving you don’t need to fly to New York to visit Broadway, Catford’s own Broadway Theatre presents a modern and local version of Dick Whittington, who was the actual Lord Mayor of London in the 14^th and 15 centuries.

In this version, Dick Whittington sets sail from the West Indies on the Empire Windrush to seek his fortune on London’s streets of gold. Accompanied by who else but the Catford Cat, join Dick as he takes on the Queen Rat, meet an eccentric fairy and fall head over paws in love.

9  – 31 December 2025

Jack And The Beanstalk at the Lyric Hammersmith

After the success of last year’s smash sell-out Aladdin, the panto team of Sonia Jalaly and Nicholai La Barrie are back at the Lyric Hammersmith. In this reinvention of the fairy story, Jack and Jill have joined the strictest school in Hammersmith, where the headteacher sends naughty kids off to the giant – whatever that means.

With musical bangers, jaw-dropping magic and whip-smart comedy, join Jack and Jill on the climb of a lifetime to find the Fairy Godmother and bring joy back to West London

15 November 2025 – 4 January 2026

Beauty And The Beast: A Horny Love Story at the Charing Cross Theatre

For the third year running, Charing Cross Theatre hosts the big gay panto that is strictly for adults only. Expect plenty of outrageous outfits, colourful contouring and saucy word play as you’re transported to the Scottish village of Lickmanochers where a naïve mummy’s boy is taken prisoner by an aristocratic brute.

21 November 2025 – 11 January 2026

Potted Panto at Wilton’s Music Hall

If you can’t decide which panto is for you, then why make that choice? In this madcap show, you can experience seven classic pantomimes in 80 hilarious minutes all within the confines of Wilton’s, one of London’s oldest surviving music halls. What better venue for a pantomime than the music hall, one of they key influences on pantomime?

3 December 2025 – 3 January 2026

Each year the Society of London Theatre (SOLT) look for new panellists to help judge categories for the Olivier Awards. Established in 1976, the Olivier Awards celebrate the world-class status of London theatre and are Britain’s most prestigious stage honours.

There are 5 separate panels, with each looking at specific categories for different awards. The panels are Theatre, Affiliate (smaller or non-West End London theatres), Opera, Dance and Family. You cannot serve on more than one panel.

Read below for more information on the types of panellists we look for.

Theatre, Dance, Opera and Affiliate Panels

Panellists are required to see all of the eligible productions in their chosen category. This can include up to 120 plays or musicals in London, though the numbers are usually lower for Affiliate, Opera and Dance. Panellists normally receive two free tickets to each show, plus a free programme. This unpaid position lasts for a year and expenses are not covered.

Please note that you need to be aged 18 years old or over to be considered for this panellist position.

To apply for a panellist place, you will need to write a 150-word review of a production you have seen in the last year, plus provide a list of all the other productions you have seen in that period.

Theatre panel:

Most of these shows will be in West End theatres. You will be assessing the below awards categories:

· Best New Play

· Best New Entertainment or Comedy Play

· Outstanding Musical Contribution

· Best Revival

· Best New Musical

· Best Musical Revival

· Best Costume Design

· Best Sound Design

· Best Set Design

· Best Lighting Design

· Best Director

· Best Theatre Choreographer

· Best Actor in a Supporting Role

· Best Actress in a Supporting Role

· Best Actor in a Supporting Role in a Musical

· Best Actress in a Supporting Role in a Musical

· Best Actress in a Musical

· Best Actor in a Musical

· Best Actor

· Best Actress

Affiliate panel:

Our affiliate theatres tend to be smaller spaces and studios (for example Kiln Theatre, Park Theatre, Bush Theatre) and you will be judging the below award category:

· Best New Production in Affiliate Theatre

Dance panel:

The dance panel assesses solely dance productions, you will be judging the below award category:

· Best New Dance Production

Opera panel:

The opera panel assesses solely opera productions, you will be judging the below award category.

· Best New Opera Production

Family Panel

We look for groups of two panellists consisting of an adult (over 18) with an accompanying child (under 14), although we are particularly interested in hearing from families/groups with more than one child in different age groups. This may allow older and younger children to attend shows best suited to their age range. Panellists need to attend all eligible family shows together (adult & child).

To apply for a panellist place, you will need to write a 150-word review of a production you have seen together in the last year, a paragraph telling us a bit about your family/group, plus a list of all the other productions you have seen in that period.

With our family panel, the children’s opinion truly matters to us and they will be fully involved in the decision-making process. You will be judging the below award categories.

· Best Family Show

This time we chatted to Joel Montague who is starring as Buddy in Elf The Musical at the Aldwych Theatre.

1. My route into theatre was…

I started dancing at my mum’s dancing school in Crewe. I then was part of my school choir and did many school shows and amateur dramatics. I then auditioned for GSA and never looked back.

2. My West End idol is…

I have many, most of them are my stupidly talented friends. I adore actors like Jamie Parker, his career is inscribed and diverse. Broadway idol wise, Gavin Creel, who I had the pleasure of knowing and working with and my ultimate hero Brian d’Arcy James.

3. My colleagues would describe me as…

Fun, naughty and I’d like to think consistent.

4. My favourite show (that isn’t one I star in/work on) is…

I LOVE The Wild Party by Andrew Lippa.

5. The career moment I’m most proud of is…

There’s a few. Currently, working with my wife. Also playing opposite Sheridan Smith in Funny Girl.

6. The hardest part about my job/role is…

Finding my voice every morning to do a show in the evening.

7. If I wasn’t an actor, I would be…

A Disney Imagineer.

8. Something people don’t know about me is…

I trained as a dancer. I can also tap quite well.

9. The best piece of advice I’ve ever been given is…

It’s not necessarily about being the best. It’s about being unique.

10. The one thing I wish I could tell my younger self is…

Don’t worry. Things will work themselves out but just know the highs are high and the lows are low. However, you’ll come of it stronger and more educated.

If smiling’s your favourite, don’t miss this seasonal smash-hit at the Aldwych Theatre.

This time we’re talking to the cast of Dick Whittington And His Catford Cat, an amazing South East London Pantomime. Fur-get everything you thought you knew about Dick Whittington! Their ‘tail’  begins with a hero and his feline friend setting sail on the Empire Windrush, whisk(er)ing away to seek their fortune on London’s streets of gold. But when they arrive in Catford, they discover the neighbourhood has a serious Cat-astrophe – Queen Rat and her rodent army are causing mayhem!

Justin Brett plays Sarah The Cook, Durone Stokes plays Dick Whittington and Lisa Davina Phillip plays Fairy Bowbells.

1. My route into theatre was…

Durone Stokes: Through attending the BRIT school and D&B Academy.

Justin Brett: Well, my first job was on the BBC’s adaptation of ‘Dombey & Son’ when I was about 10 years old. I did a few other TV things as a kid, and then had a pretty standard route in after school via the Royal Central School of Speech and Drama, got and agent, and started working. My dad, Simon Oates was an actor, who was well-known in the 60’s & 70’s, mostly for a series called ‘Doomwatch’ with Robert Powell, and my late auntie Pam Valentine was a playwright and TV writer – she created sitcoms in the 80’s such as ‘You’re Only Young Twice’, and wrote on many others. I guess it’s in the ol’ genes.

Lisa Davina Phillip: Second Wave – a youth arts group (Deptford), UoN BA in Drama and then scholarship for The Academy Drama School (Whitechapel).

2. My West End idol is…

Durone Stokes: Amy Webb.

Justin Brett: Literally everyone currently working in the West End, grafting, and kicking it 8 shows a week. Like panto, it’s a tough week’s work.

Lisa Davina Phillip: The legendary Sharon D Clarke, who continues to open so many doors on stage and screen.

3. My colleagues would describe me as…

Durone Stokes: Joyful, Talented, Very Handsome.

Justin Brett: Mostly unrepeatable in print, this answer.

Lisa Davina Phillip: I dunno, ask them … no … erm, a smiley, warm team-player.

4. My favourite show (that isn’t one I star in/work on) is…

Durone Stokes: Wicked.

Justin Brett: Fun Home, and Waitress (which I was lucky enough to see on Broadway with Jessie Mueller, and her performance blew my tiny mind).

Lisa Davina Phillip: Sylvia, starring Beverley Knight and Sharon Rose. I saw it at the Old Vic but is making a brief come back (November 2025) to the Royal Albert Hall, a must see. Imaginative storytelling and inspiring music.

5. The career moment I’m most proud of is…

Durone Stokes: Funding a trip for members of Teens Unite to come and see Dreamgirls in the
West End.

Justin Brett: When we won the Olivier Award for ‘Showstopper – The Improvised Musical’. It was a proper team effort, and that’s why I’m so proud of it.

Lisa Davina Phillip: Gosh its hard to choose, I’ve been very fortunate. I’d say, playing Ms Johnston in Netflix’s 1st live action musical “Jingle Jangle: A Christmas Journey” – I’m eternally grateful to the director David Talbert for trusting and believing in me.

6. The hardest part about my job is…

Durone Stokes: Not knowing what to do with all the fun.

Justin Brett: Currently, the 4 hour commute from Brighton…

Lisa Davina Phillip: Dealing with rejection and the self doubt that hangs on the back of every “no”. I’ve learned that if I don’t successfully nail an audition, there’s usually something even more spectacular waiting in the wings.

7. If I wasn’t an actor, I would be…

Durone Stokes: A therapist.

Justin Brett: A chef. I’ve been involved in running restaurants in the past, and I am a massive lover of food. Come over – I’ll cook!

Lisa Davina Phillip: An anthropologist, studying some remote tribe in the farthest flung corners of the unknown world.

8. Something people don’t know about me is…

Durone Stokes: I was one of the Olympic Torch Bearers in London 2012.

Justin Brett: I did a comedy car clown stunt show as a character called ‘Slippery Sid’ touring the outdoor gala circuit for about 15 years.

Lisa Davina Phillip: I’m slightly deaf in 1 ear. I had a grommet as a child, it didn’t work and I refused to repeat the procedure.

9. The best piece of advice I’ve ever been given is…

Durone Stokes: Show up, be yourself and keep it simple.

Justin Brett: Actually, it’s three pieces of advice: Get on with it; get on with it; and f*&%ing get on with it!

Lisa Davina Phillip: Never read reviews, because when the critics love you, you’ll be on cloud 9, but if they hate you suddenly you’re overcome with depression. Just know you’re own worth and try to be better today, than you were yesterday (a lesson for life in general).

10. The one thing I wish I could tell my younger self is…

Durone Stokes: You already have all you need to be the person you dream of being.

Justin Brett: “This, now IS the good ol’ days.” (You can tell yourself that at any time and it will still be true).

Lisa Davina Phillip: Just one? I’d probably include a few pearls of wisdom e.g. “whether you think you can or you can’t, you’re right”, “Enjoy the journey not the destination” and “Leap and the net will appear”.

Join Dick and his Cat as they pounce into adventure, encounter an eccentric fairy, are helped on the way by a larger than life cook & fall head over paws in love at The Broadway in Catford from 9 December – 31 December.

This time we chatted to Penny Layden who is currently playing Martha & The Judge in Coven playing until 17 January 2026. The scorching new musical, based on England’s most notorious witch trials, is directed by Olivier award-winner Miranda Cromwell who joins forces with writers Rebecca Brewer and Grammy award-winning Daisy Chute. Combining uplifting anthems and powerful melodies in a fresh reinterrogation of the true story of the Pendle Witch Trials.

1. My route into theatre was…

I began in good old rep at the New Vic, under Peter Cheeseman & ended up staying for a year, leaving with a full & varied CV – prepared for anything!

2. My West End idol is…

Anyone who works as a swing – keeping shows going for little glory, admirable stuff.

3. My colleagues would describe me as…

Warm, willing & gobby!

4. My favourite show (that isn’t one I star in/work on) is…

Changes all the time but my last favourite play was ‘English’ a co-production with the Kiln & the RSC.

5. The career moment I’m most proud of is…

Being named ‘The Spirit of the Shed’ by Ben Power after the last show in the National’s temporary space.

6. The hardest part about my job is…

7. If I wasn’t an actor, I would be…

Miniature model maker or gardener.

8. Something people don’t know about me is…

I make stop motion animation with my partner.

9. The best piece of advice I’ve ever been given is…

“Mohammed Ali it …” believe in yourself & bring your best.

10. The one thing I wish I could tell my younger self is…

It’ll be ok.

Book to see Penny in Coven at the Kiln before 20 December.

The 2025 ceremony — sponsored by ATG Entertainment and presented in partnership with Moulin Rouge! The Musical, Global Creatures, and with thanks to Playful Productions — celebrated a year of groundbreaking theatre and powerful storytelling on and off the stage.
Hosted by an all-star lineup of presenters, including Vanessa Williams, Matt Henry, Cush Jumbo OBE, Baroness Lola Young, David Blake, Miriam-Teak Lee, Cherrelle Skeete, Miranda Cromwell and Jason Pennycooke.

An Unforgettable Night in the West End

The evening delivered world-class performances from Alexandra Burke, Beverley Knight, the Kingdom Choir and the casts of Moulin Rouge! The Musical and The Harder They Come.

From Shifters to The Lion King, Marie & Rosetta to Hamilton, the nominees from these productions represented the rich spectrum of Black artistry shaping the British stage today — with performers from Shifters, The Lion King, Hamilton, Starlight Express, Hadestown, and Oliver! The Musical all taking home awards.

The 2025 BBTA Winners Revealed

Please find the full list of 2025 BBTA Winners HERE

Beverley Knight took home Best Female Lead Actor in a Play for her moving portrayal in Marie & Rosetta at The Rose Theatre (Sponsored by LAMDA).

Lynette Linton was recognised with Best Director for Intimate Apparel at the Donmar Warehouse, while Arinzé Kene’s compelling performance in Alterations at the National Theatre earned him Best Male Lead Actor in a Play.

Jay Perry’s dynamic turn in Hamilton won him Best Male Lead Actor in a Musical and Musical theatre standout Shanay Holmes triumphed with Best Female Lead Actor in a Musical for her show-stopping performance in Oliver! The Musical at the Gielgud Theatre (Sponsored by Link-Artists), while The Lion King at the Lyceum Theatre roared to victory with Best Musical Production (Sponsored by TodayTix).

The powerful new play Shifters, staged at the Duke of York’s Theatre, earned Best Production – Play (Sponsored by AKA), cementing its place as one of the year’s most celebrated productions.

Winners of the 2025 Black British Theatre Awards

CREATIVES GROUP

• Best Producer (Body of Work or Production) — Chuchu Nwagu (Sponsored by Thomas Hopkins Productions Ltd)
• Best Director — Lynette Linton, Intimate Apparel, Donmar Warehouse
• Best Musical Director — Takisha Sargent, The Women of Llanrumney, Theatre Royal Stratford East (Sponsored by YOU Management Ltd)
• Best Choreographer or Movement Director — Ingrid Mackinnon, Princess Essex, Shakespeare’s Globe
• Best Dance Production or Performer — Our Mighty Groove, Sadler’s Wells East & Uchenna Dance

RECOGNITION GROUP (BODY OF WORK) AWARDS

• Best Sound and/or Lighting Design — Eamonn O’Dwyer
• Theatre Design — Georgie Lynch (Sponsored by Disney Theatrical Group)
• Book and Lyrics — Trish Cooke (Sponsored by Theatrical Rights Worldwide UK)
• Best Playwright — Anne Odeke (Sponsored by Brixton House in Association with The Writers Group)
• Best Casting Director — Heather Basten (Sponsored by Spotlight)

PLAY AWARDS

• Best Male Lead Actor in a Play — Arinzé Kene, Alterations, National Theatre (Sponsored by London Production Studios, Dick Fiddler is Dead)
• Best Female Lead Actor in a Play — Beverley Knight, Marie & Rosetta, The Rose Theatre (Sponsored by LAMDA)
• Best Supporting Male Actor in a Play — Emmanuel Akwafo, A Midsummer Night’s Dream, Bridge Theatre
• Best Supporting Female Actor in a Play — Cash Holland, A Raisin in the Sun, Lyric Hammersmith Theatre
• Best Production – Play — Shifters, Duke of York’s Theatre (Sponsored by AKA)

MUSICAL AWARDS

• Best Male Lead Actor in a Musical — Jay Perry, Hamilton, Victoria Palace Theatre
• Best Female Lead Actor in a Musical — Shanay Holmes, Oliver! The Musical, Gielgud Theatre (Sponsored by Link-Artists)
• Best Supporting Male Actor in a Musical — Cedric Neal, Hadestown, Lyric Theatre (Sponsored by The Boy Who Harnessed the Wind)
• Best Supporting Female Actor in a Musical — Jade Marvin, Starlight Express, Troubadour Wembley Park Theatre (Sponsored by I’m Every Woman)
• Best Musical Production — The Lion King, Lyceum Theatre (Sponsored by TodayTix)

CHAMPION & ACHIEVEMENT AWARDS

• Best Child Performer (Under 16) — Keilah Kofi, The Lion King, Lyceum Theatre
• LGBTQIA+ Champion — Newtion Matthews
• Best Teacher — Stewart Avon-Arnold, Studio 59 (Sponsored by LIPA)
• Lord Michael Hastings of Scarisbrick Award — Liam Godwin
• Lifetime Achievement Award — Nicola Blackman (Sponsored by London Theatre Direct)

Reflecting on Black History, Celebrating Black Futures

Aligned with Black History Season, the 2025 awards celebrate the enduring contributions of Black actors, playwrights, designers, and creatives to British theatre. The BBTAs are a reminder that Black excellence is not confined to one night, one season, or one era—it is a constant, transformative presence that has shaped the UK stage for generations and continues to inspire the future of theatre.

The Black British Theatre Awards (BBTAs) honour this enduring legacy, celebrating excellence, representation, and the cultural contributions of Black artists 365 days a year. Previous winners have included Layton Williams, Freema Agyeman, Danny Sapani, Karis Anderson, Nancy Medina, Sean Green, Choir Boy and MJ The Musical. Previous presenters have included Lemar, Dawn Butler MP, Zoe Birkett and Patron and Broadcaster Brenda Emmanus OBE.

This time we chatted to Kevin Vélez, Ryan Elson and Reece Darlington-Delaire from Magic Mike Live at the Hippodrome Casino.

1. My route into theatre was…

Kevin Vélez (KV): My journey into theatre has been a gift! I’ve met amazing people and learned from each of them.

Ryan Elson (RE): I started as a carpenter after leaving school early, after that I then went to college (Studio79), moving onto three years at Creative Academy. Now here we are at Magic Mike Live.

Reece Darlington-Delaire (RDD): I started performing when I was ten, playing Young Simba in The Lion King. That experience taught me discipline and gave me my love for theatre. From there, I trained at The Urdang Academy and worked on shows like Cats, Back To The Future, Aladdin, and now Magic Mike Live.

2. My West End idol is…

KV: The actor (Jamaal Fields-Green) who plays Michael Jackson in MJ The Musical.

RDD: Shaun Escoffery in The Lion King. His voice and presence are unreal, he’s been doing it for years and still performs with so much heart.

3. My colleagues would describe me as…

KV: A very energetic and enthusiastic guy.

RDD: Caring, grounded and calm. I try to bring good energy into the room and stay focused on the work.

4. My favourite show (that isn’t one I star in/work on) is…

KV: MJ The Musical.

RE: Rent or The Book Of Mormon.  

RDD: Definitely The Lion King, it’s where it all started for me. But Hamilton is a close second.

5. The career moment I’m most proud of is…

KV: Right now. Dancing in Magic Mike Live is a physical challenge because of its intensity — every week completed feels like an achievement.

RE: My first ever job as a commercial dancer, dancing for Robbie Williams on X Factor Italia under the Choreographer Nathan Clarke.

RDD: Being part of Magic Mike Live. It’s a show that celebrates confidence and supports femininity. I love what it stands for.

6. What’s your favourite move or moment in the show?

KV: Without a doubt, it’s the introduction — when the show begins!

RE: Any chance I get to flip!

RDD: “Blues.” It’s soulful and quietly confident.

7. If I wasn’t a performer, I would be…

KV: I honestly have no idea, but it would definitely be something related to expressing myself.

RE: A photographer or a fire fighter. 

RDD: A creative director or filmmaker. I love building atmosphere and emotion through visuals.

8. Something people don’t know about me is…

KV: I hide my emotions very well.

RE: I eat fire!

RDD: I’m a huge night owl. I love the early mornings of the day. It feels peaceful and quiet. My favourite animals are goats and horses. 

9. The best piece of advice I’ve ever been given is…

KV: Stay grateful for everything, at all times.

RE: Be nice to everyone no matter the status, work as a group not a soloist and that shows don’t work alone.

RDD: The fastest way to get to the place you want to go is slowly.

10. The one thing I wish I could tell my younger self is…

KV: To make the most of his potential! To push even further, because time flies. But most importantly… to enjoy every single moment.

RE: Enjoy the process because if don’t, you’ll fall out of love and forget why you started performing.

RDD: You don’t need to rush or prove yourself, just keep showing up, keep growing, and trust the timing.

Get ready to meet your wild side and book tickets for Magic Mike Live!

This time we chatted to Zoe Birkett who will be playing Rosetta Tharpe/Ma Nora/Erma Franklin in Personality: The Lloyd Price Musical In Concert at the Southbank Centre on 11 October. The show tells the extraordinary story of Lloyd Price, the ground-breaking artist behind timeless hits like Personality, Lawdy Miss Clawdy, and Stagger Lee. A true innovator, Price became the first teenager to sell over a million records, founded his own label, and paved the way for generations of Black artists in an industry not built to support them.

His music and legacy transcended race, inspired cultural change, and reshaped the sound of popular music — with legends such as Amy Winehouse, Elvis Presley, Aretha Franklin, Little Richard, Bruce Springsteen, and Paul McCartney recording his work. Following a critically acclaimed run in Chicago and a standout London showcase in 2024, Personality makes its much-anticipated London stage debut for two concert performances only.

1. My route into theatre was…

Playing a young child in Joseph and the Technicolor dream coat.

2. My West End idol is…

John Partridge – a great all rounder!

3. My colleagues would describe me as…

A bit of a nanna – love a cuppa and biccy more than a night out.

4. My favourite show (that isn’t one I star in/work on) is…

Prima Facie.

5. The career moment I’m most proud of is…

Playing Tina Turner.

6. The hardest part about my job is…

7. If I wasn’t an actor, I would be…

There’s literally nothing else…  Although, I do a lot of presenting at the moment and I’m loving it – so let’s go with that.

8. Something people don’t know about me is…

I have a hip replacement.

9. The best piece of advice I’ve ever been given is…

There’s only one of you – don’t try to be anyone else.

10. The one thing I wish I could tell my younger self is…

Being northern and bubbly will end up being your superpower. For years I felt like coming from a working class background meant people looked down on me. But It’s actually part of my charm.

Don’t miss your chance to see Zoe live and hear the music that defined a genre – book here.